Instrumental Pieces for Concert Band

This moving piece embodies all the simplicity of Russian Orthodox music, yet displays the sweeping beauty of Rachmaninov's lyricism. Conductors will appreciate the opportunity to teach extended phrase...

This moving piece embodies all the simplicity of Russian Orthodox music, yet displays the sweeping beauty of Rachmaninov's lyricism. Conductors will appreciate the opportunity to teach extended phrase...

This moving piece embodies all the simplicity of Russian Orthodox music, yet displays the sweeping beauty of Rachmaninov's lyricism. Conductors will appreciate the opportunity to teach extended phrase...

This moving piece embodies all the simplicity of Russian Orthodox music, yet displays the sweeping beauty of Rachmaninov's lyricism. Conductors will appreciate the opportunity to teach extended phrase...

Make a powerful statement with this intense yet introspective work. The opening exclamation by percussion becomes a fixture throughout, supported by epic brass lines and energetic woodwind flourishes....

The melody, 'Wachet Auf' ('sleepers, Wake') was not composed by Bach, but was used by him in three of the seven movements of his Cantata No. 141. This arrangement features adaptations of the third and...

The melody, 'Wachet Auf' ('sleepers, Wake') was not composed by Bach, but was used by him in three of the seven movements of his Cantata No. 141. This arrangement features adaptations of the third and...

The melody, 'Wachet Auf' ('sleepers, Wake') was not composed by Bach, but was used by him in three of the seven movements of his Cantata No. 141. This arrangement features adaptations of the third and...

Since its completion in 1963, this piece has become a landmark work in the band repertoire with countless performances by several generations. A chime-like style announces the opening movement, 'Intro...

Since its completion in 1963, this piece has become a landmark work in the band repertoire with countless performances by several generations. A chime-like style announces the opening movement, 'Intro...

Since its completion in 1963, this piece has become a landmark work in the band repertoire with countless performances by several generations. A chime-like style announces the opening movement, 'Intro...

Tradtitional - arranged by Marty Schubert

Tradtitional - arranged by Marty Schubert

Tradtitional - arranged by Marty Schubert

To help provide smaller bands with suitable material to improve basic skills like intonation, phrasing, dynamics, balance, sound and interplay, Bert Appermont has carefully selected ten popular choral...

This composition is based on the beautiful chorale melody Wie schön leuchtet der Morgenstern (How beautifully the morning star shines). Like the chorale fantasias by Bach and Buxtehude, this is a fant...

The terroristic attacks in Paris, Brussels, Nice and Berlin shocked many people and lead to fear, mistrust and unbelieve. To express these emotions, Bert Appermont composed a beautiful and sensitive I...

The 'Missa Solemnis in B flat' was Anton Anton Bruckner's first major work for choir and orchestra. In this transcription of the Agnus Dei, a brass choir of horns, Trumpets and trombones replaces the...

The 'Missa Solemnis in B flat' was Anton Anton Bruckner's first major work for choir and orchestra. In this transcription of the Agnus Dei, a brass choir of horns, Trumpets and trombones replaces the...

'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

Mozart's funeral motet Ave verum corpus was composed in june 1791 for Anton Stroll, choirmaster at the spa of Baden, near Vienna. Within a tiny span the music sounds an extraordinary depth of feeling,...

The oratorio 'Mors et Vita' (Death and Life) is the continuation of 'The Redemption' and was the second of a proposed trilogy of oratorios written on commission by Charles Gounod for the Birmingham Fe...