Instrumental Pieces for Concert Band
The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...
The 'Explosions Polka', opus 43, is written by Johann Strauss in 1847. The title was inspired by a discovery of 'guncotton' or 'nitrocellulose' by German scientist Christian Friedrich Schönbein in 184...
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- Andre Bodin
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Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
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- Roger Niese
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Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
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- Roger Niese
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Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
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- Roger Niese
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Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
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- Roger Niese
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Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
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Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
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- Roger Niese
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Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
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- Roger Niese
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Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
Puccini's Opera 'Manon Lescaut' is based on the 1731 novel 'L'histoire du chevalier des Grieux et de Manon Lescaut' by the Abbé Prévost. The aria 'In quelle trine morbide is sung in the 2nd act of the...
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- Roger Niese
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In this transcription Marco Tamanini has combined two martial sections of the opera into a march-fantasy in the great Italian tradition. (Concert Band)
In this transcription Marco Tamanini has combined two martial sections of the opera into a march-fantasy in the great Italian tradition. (Concert Band)
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- Marco Tamanini
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In this transcription Marco Tamanini has combined two martial sections of the opera into a march-fantasy in the great Italian tradition. (Concert Band)
In this transcription Marco Tamanini has combined two martial sections of the opera into a march-fantasy in the great Italian tradition. (Concert Band)
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- Marco Tamanini
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The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
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The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
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El sombrero de tres picos" ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra...
El sombrero de tres picos" ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra...
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- Julio Domingo
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El sombrero de tres picos ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra T...
El sombrero de tres picos ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra T...
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- Julio Domingo
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El sombrero de tres picos" ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra...
El sombrero de tres picos" ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra...
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- Julio Domingo
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El sombrero de tres picos ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra T...
El sombrero de tres picos ("The Three-Cornered Hat") is a ballet in two acts choreographed by Léonide Massine to music by Manuel de Falla. The ballet was premiered in 1919 in London at the "Alhambra T...
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- Julio Domingo
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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- Marc Koninkx
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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- Marc Koninkx
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immediately available
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
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- Marc Koninkx
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ships within 1-2 weeks
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Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
Franz Schubert's 'Symphony No. 8' in B minor, D 759, commonly known as the 'Unvollendete' ('Unfinished Symphony'), is a composition that Schubert started in 1822 but left with only two movements - tho...
- Concert Band
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- Marc Koninkx
- Baton Music
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immediately available
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The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
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- Gerhart Drijvers
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ships within 1-2 weeks
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The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
The stunning XXVI Variazioni sulla Follia di Spagna was the last work by Antonio Salieri - a sort of brooding soliloquy but, at the same time, something of a massive study in timbre and instrumentatio...
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- Gerhart Drijvers
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The Toy Symphony, (Kinder-Sinfonie) was also published as Sinfonia Berchtolsgadensis because it was written for instruments that were manufactured in the toy industry of Berchtensgaden that flourished...
The Toy Symphony, (Kinder-Sinfonie) was also published as Sinfonia Berchtolsgadensis because it was written for instruments that were manufactured in the toy industry of Berchtensgaden that flourished...
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In the early 1930s, Béla Bartók resolved to compose some orchestra pieces which would be easy to play and thus could be performed more often than his other demanding, musically and technically difficu...
In the early 1930s, Béla Bartók resolved to compose some orchestra pieces which would be easy to play and thus could be performed more often than his other demanding, musically and technically difficu...
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- Yorick De Bruycker
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Instrumental Pieces for Concert Band on all-sheetmusic.com
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