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Instrumental Pieces for Concert Band

Camille Saint-Saëns
Finale from the Ballet (SCORE+PARTS)

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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  • Andre Bodin
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Camille Saint-Saëns
Finale from the Ballet

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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Camille Saint-Saëns
Finale from the Ballet (SCORE)

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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  • Andre Bodin
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Camille Saint-Saëns
Finale from the Ballet

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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  • Yorick De Bruycker
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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

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Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

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  • Gregor Kovacic
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Order no.: BTM1189

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

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Franz Strauss
(SCORE)

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

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Franz Strauss
(SCORE)

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

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  • Gregor Kovacic
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The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

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  • Jacques Dubois
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Order no.: BTM118SC

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

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'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

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Order no.: BTM1190

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

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(SCORE)

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

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Order no.: BTM1190SC
(SCORE)

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

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Antonín Dvořák
3. Allegretto grazioso

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic 'sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic 'sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

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  • Jos van de Braak
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Order no.: BTM1197
Antonín Dvořák
3. Allegretto grazioso

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic "sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic "sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

  • Concert Band
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Antonín Dvořák
3. Allegretto grazioso

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic 'sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic 'sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

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Order no.: BTM1197SC
Antonín Dvořák
3. Allegretto grazioso

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic "sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic "sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...

  • Concert Band
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  • Jos van de Braak
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Johannes Brahms
Score + parts

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

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  • Yorick De Bruycker
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Order no.: BTM1198
Johannes Brahms
Score + parts

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

  • Concert Band
  • Score and Parts Download
  • Yorick De Bruycker
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Johannes Brahms
Score

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

The 'Hungarian Dances' (Ungarische Tänze), evoking directly the warm blood of Hungarian gypsy music, consist of 21 dances, originally composed for piano four hands. Perhaps less familiar than the famo...

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Order no.: BTM1198SC

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