Instrumental Pieces for Concert Band
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...
The 'symphonie Fantastique' (Episode in the life of an artist) was heard for the first time in Paris on 5 December 1830. Still we can feel the beating of the creator's heart at every performance. The...
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- Christiaan Janssen
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Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
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- José Schyns
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Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
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- José Schyns
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Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
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- José Schyns
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Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
Ottorino Ottorino Respighi (1879 - 1936) had already begun to attract international attention for his orchestral tone poem Fontane di Roma (Fountains of Rome) (1917) when he wrote his Ballata della Gn...
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- José Schyns
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
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- Jacques Dubois
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When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
When Puccini's opera Turandot was heard for the first time in April 1926, its composer had been dead for almost a year and a half. The story of Princess Turandot is perhaps the most repulsive that any...
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- Jacques Dubois
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
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- Marco Tamanini
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
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- Marco Tamanini
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
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- Marco Tamanini
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The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
The romantic, picturesque and dramatic appeal of medieval Christianity furnished Richard Richard Wagner, after Tannhäuser, with Lohengrin. This transcription contains the well known prelude to the 3rd...
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- Marco Tamanini
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The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...
The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...
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- Olivier Huyard
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The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...
The Viennese composer Johann Strauss jr. (1825 - 1899) composed besides his famous waltzes and operettas also a great amount of polka's to perform with his own orchestra that played on 'dance soirees'...
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- Olivier Huyard
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The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
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- Roger Niese
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The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
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- Roger Niese
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The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
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- Roger Niese
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The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
The aria O Isis und Osiris is sung by Sarastro, the high priest of Isis and Osiris. Sarastro announces that prince Tamino, before marrying Pamina, must prove himself worthy to the temple.Sarastro pray...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
As a composer Franz Lehar started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to gif his...
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- Roger Niese
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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
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- Roger Niese
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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
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- Roger Niese
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The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
The trio 'so muss allein ich bleiben' from the operetta Die Fledermaus is sung in the first act: Gabriel von Eisenstein is due to leave for prison and his wife Rosalinde acts to be sad about it. Meanw...
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- Roger Niese
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