Instrumental Pieces for Concert Band

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

Mendelssohn wrote the incidental music, for Shakespeare's 'A Midsummer Night's Dream' in 1842, 16 years after he wrote the Overture. It was written to a commission from King Frederick William IV of Pr...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Zaïde' is a song for soprano and orchestra composed by Hector Berlioz in November 1845 on a poem by Roger de Beauvoir. It was composed at the same time as he resumed the composition of 'La Damnation...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

'Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confu...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though Max Bruch did not, strictly speaking, leave behind a cello concerto, cellists are nevertheless extremely grateful for the four single-movement concertante pieces from his pen. Of course, 'Kol N...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

Though now more famous as the father of Richard Strauss, Franz Strauss was a very well-known horn player with a well-documented reputation for being both musically conservative and difficult to work w...

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

The aria E lucevan le stelle is sung by Cavaradossi in the third and final act of Puccini's Opera Tosca. To fulfil his last wishes he is allowed to write a letter to Tosca: `And the stars flickered wh...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

'L'Orfeo', sometimes called 'La favola d'Orfeo', is a late Renaissance/early Baroque 'favola in musica', or opera, by Claudio Monteverdi (1567-1643), with a libretto by Alessandro Striggio. It is base...

The third movement, "Allegretto grazioso", of Dvorák's eighth symphony is a melancholic 'sweet and languid" waltz in 3/4 time, which at the end changes into a more Bohemian folk dance in 2/4 time. The...