Instrumental Pieces for Concert Band

Percy Aldridge Grainger's tone poem "The Power of Rome and the Christian Heart" was commissioned in 1947 to both commemorate the 25th anniversary of the League of Composers and to celebrate the 70th b...

Percy Aldridge Grainger's tone poem "The Power of Rome and the Christian Heart" was commissioned in 1947 to both commemorate the 25th anniversary of the League of Composers and to celebrate the 70th b...

Originally written in 1899 by Maurice Ravel (1875-1937) for solo piano, and later orchestrated by the composer, PAVANE POUR UNE INFANTE DÉFUNTE (PAVANE FOR A DEAD PRINCESS) remains one of the enduring...

Originally written in 1899 by Maurice Ravel (1875-1937) for solo piano, and later orchestrated by the composer, PAVANE POUR UNE INFANTE DÉFUNTE (PAVANE FOR A DEAD PRINCESS) remains one of the enduring...

Philip Gordon, the arranger of RENAISSANCE MASTERS SUITE, taught as a professor of music at Chicago Musical College, Westminster Choir College, and Seton Hall University. In addition to his achievemen...

GASPARILLA DAY was written for the Tampa Mardi Gras-type festival which takes place the second week of each February. The work was first performed during the 1971 Gasparilla Day parade by the King Hig...

GASPARILLA DAY was written for the Tampa Mardi Gras-type festival which takes place the second week of each February. The work was first performed during the 1971 Gasparilla Day parade by the King Hig...

An exciting work for any occasion honoring flight or any American hero; excellent as a concert opener. Has been recorded by many U.S. service bands. Broughton's music is notable for its wonderful melo...

An exciting work for any occasion honoring flight or any American hero; excellent as a concert opener. Has been recorded by many U.S. service bands. Broughton's music is notable for its wonderful melo...

John Cheetham's "Fanfare and Steeplechase" is a college level symphonic band work that opens with an extended fanfare section, leading to the main body - a whirlwind evocation of the steeplechase!

John Cheetham's "Fanfare and Steeplechase" is a college level symphonic band work that opens with an extended fanfare section, leading to the main body - a whirlwind evocation of the steeplechase!

John Cheetham's "Fanfare and Steeplechase" is a college level symphonic band work that opens with an extended fanfare section, leading to the main body - a whirlwind evocation of the steeplechase!

The spirit of the United States of America does not lie dormant only to arise every one hundred years. The spirit of this land is always present in the hearts and minds of its citizens. This piece inv...

The spirit of the United States of America does not lie dormant only to arise every one hundred years. The spirit of this land is always present in the hearts and minds of its citizens. This piece inv...

This arrangement for developing band of the Love Theme from Romeo and Juliet and Chanson Triste has been completed by Frank Erickson.

This arrangement for developing band of the Love Theme from Romeo and Juliet and Chanson Triste has been completed by Frank Erickson.

Orchestrated by Donald Miller for Solo Horn or Solo Baritone/Euphonium and band.  In French, the word "villanelle" implies a rustic song or dance.  It was used during the 16th cent...

A superb upper level showpiece for horn or euphonium. Transcribed and orchestrated by Donald Miller. Band M; Horn MA.

Marche Slav is a rousing patriotic work based on Serbian and Russian folk themes. Tchaikovsky was commissioned to write the piece specifically for a concert to benefit Serb soldiers wounded while figh...

Marche Slav is a rousing patriotic work based on Serbian and Russian folk themes. Tchaikovsky was commissioned to write the piece specifically for a concert to benefit Serb soldiers wounded while figh...

The most well-known of the Elgar's six marches, March No. 1 in D was completed in July 1901. Its central melody hails from before these dates, and as Elgar told a friend, "I've got a tune that will kn...

The most well-known of the Elgar's six marches, March No. 1 in D, was completed in July 1901. Its central melody hails from before these dates, and as Elgar told a friend, 'I've got a tune that will k...

Of all four marches that came after the overwhelmingly successful No. 1, March No. 4 seems to many people to be most closely related in general effect to the first. Just why this should be so is diffi...