Intermediate Classical Music (Baroque) Sheet Music

6 Marce per la Cavalleria (ZWV 212), composed by Jan Dismas Zelenka, an important figure in Czech Baroque music, demonstrates his fine sense of rhythm and harmonic color. These marches convey a milita...

6 Marce per la Cavalleria (ZWV 212), composed by Jan Dismas Zelenka, an important figure in Czech Baroque music, demonstrates his fine sense of rhythm and harmonic color. These marches convey a milita...

Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...

Johann Melchior Molter's Concerto (MWV IV, 12), newly arranged by Colette Mourey, combines baroque liveliness with a subtle contemporary sensibility in a fascinating way. Molter, a German composer of...

The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...

The Concerto (IRM3) by Richard Mudge is a fascinating testimony to the elegant and expressive style of the 18th century English composer. With a clear and balanced writing style, Mudge unfolds a lumin...

The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...

The concerto by Giuseppe Romanino, a composer of great musical sensitivity, reveals the full expressive richness of the late Italian Baroque style. This radiant and carefully constructed work combines...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

The Italian Concerto (BWV 971) by Johann Sebastian Bach is one of the composer's most important works and brilliantly demonstrates his exploration of the Italian concerto style. Inspired by Vivaldi, a...

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Unlike the Ormandy arrangement of this chorale prelude, the fantasy section begins after the full statement of the chorale. Scoring allows for strings-alone performance in the highly accessible key of...

“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...

A joyful dispute of the gods' is how Johann Sebastian Bachs librettist Salomon Franck described the Birthday Cantata for the court of Saxony-Weißenfels, now generally known as the 'Hunting Cantata' BW...