Intermediate Classical Music (Baroque) Sheet Music

Das deutsche Nunc dimittis 'Herr, nun lässest du deinen Diener' hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen. D...

Das deutsche Nunc dimittis, Canticum für die liturgische Vesper, hat Schütz 1656 anlässlich des Todes des sächsischen Kurfürsten Johann Georg I. gleich 'auf zweyerlei Art' vertont und drucken lassen....

In his Christmas motet 'Hodie Christus natus est' Schütz employs the full mastery of his madrigalian musical language and exploits all the sonorous richness which the six part scoring offers him. The...

Historia des Leidens und Sterbens unsers Herrn und Heilandes Jesu Christi nach dem Evangelisten St. Lukas - Fav SATB, Coro SATB - Tonart F-Lydisch

Historia des Leidens und Sterbens unsers Herrn und Heilandes Jesus Christi nach dem Evangelisten St. Johannem - Fav SATB, Coro SATB - Tonart e-phrygisch

No. 13 of the 'Opus ultimum'

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, stands fully in the French tradition of celebrating the happy message of Christ's birth with exuberant cheerfulness. Composed around 169...

Marc-Antoine Charpentier's Christmas mass, the Messe de Minuit, stands fully in the French tradition of celebrating the happy message of Christ's birth with exuberant cheerfulness. Composed around 169...

In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, André Campra (1660-1744) composed numerous motets which frequently displayed the inf...

Marc-Antoine Charpentier’s impressive setting of the Latin canticle Te Deum opens with a striking introductory fanfare. It is familiar to millions, since it is the theme tune of the Eurovision TV broa...

The opening movement of Bach's choral cantata on Luther's "Aus tiefer Not schrei ich zu dir" BWV 38 for the 21st Sunday after Trinity in 1724 belongs to a group of cantatas whose opening chorus is not...

Kantate zum 2. Pfingsttag. Soli SB, Coro SATB, 2 Ob, Taille (Eh), Zk (Tr), 3 Trb, 2 Vl, Va, (Vc pic), Org

Kantate zum 1. Weihnachtsfeiertag. Soli SATB, Coro SATB, 3 Tr, Timp, 2 Fl, Ob, Obda, Obca, Str, Org - Tonart D-Dur / h-Moll

Kantate zum 1. Pfingsttag - Soli SATB, Coro SATB, Ob, Fg, 2 Vl, Va, 3 Tr, Timp, Bc

Version in A major (version in G major under Carus 31.182/50). The cantata Himmelskönig, sei willkommen (BWV 182) occupies a special place in Johann Sebastian Bach's life story. Active as an organist...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

For many choral singers, Jesu, meine Freude BWV 227 is not one, but Bach's motet. And indeed, among the exceptional works that Bach's motets as a whole must be described as, it is once again an except...

Soli SATB, Coro SATB, 2 Blfl f1, Fl, 2 Ob mit 1 Obda, Fg, 3 Tr, Timp, Str, Org

For this work "carus music" the choir app, is available. In addition to the vocal score and a recording, the app offers a coach which helps to learn the choral parts. Please find more information at "...

arrangiert von Johann Sebastian Bach - Fassung einer Aufführung am Hofe zu Weimar um 1713 durch J. S. Bach; aus seiner Notenbibliothek. Es gibt wohl kaum ein Werk eines Zeitgenossen mit dem sich Bach...