Intermediate Classical Music (Classical Era) Sheet Music
Eine historisch informierte Bearbeitung der Viola-Stimme. Die Viola-Stimme wird durch die Klavierstimme ersetzt. Die Kb-Stimme liegt der Ausgabe FH2791 bei.
Eine historisch informierte Bearbeitung der Viola-Stimme. Die Viola-Stimme wird durch die Klavierstimme ersetzt. Die Kb-Stimme liegt der Ausgabe FH2791 bei.
- Double Bass and Orchestra
- Piano Score
- Friedrich Hofmeister Musikverlag
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This piece is a beautiful interplay between organ and brass. It follows immediately after the Confutatis so these arrangements can be paired together.
This piece is a beautiful interplay between organ and brass. It follows immediately after the Confutatis so these arrangements can be paired together.
- 5 Brass Instruments and Organ
- Sheet Music
- David Marlatt
- Eighth Note Publications
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This piece has some great contrasts - with tuba playing driving 32nds and horn/trombone playing forte marcato figures juxaposed with soft lyrical trumpet duets. It precedes the Lacrimosa so these arra...
This piece has some great contrasts - with tuba playing driving 32nds and horn/trombone playing forte marcato figures juxaposed with soft lyrical trumpet duets. It precedes the Lacrimosa so these arra...
- 5 Brass Instruments and Organ
- Sheet Music
- David Marlatt
- Eighth Note Publications
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Andante Cantabile, from Franz Haydn's String Quartet No. 8 has been arranged for brass quartet by one of the leading composers of educational music today, Larry Clark. This Iconic piece of literature...
Andante Cantabile, from Franz Haydn's String Quartet No. 8 has been arranged for brass quartet by one of the leading composers of educational music today, Larry Clark. This Iconic piece of literature...
- 2 Trumpets, Horn and Trombone
- Sheet Music
- Larry Clark
- Excelcia Music Publishing
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Everyone knows the Ode To Joy melody, but no one will expect to hear it over Johann Pachelbel's famous deceptive chaconne! A warm, unique adaptation of the immortal classic, this famous theme from Bee...
Everyone knows the Ode To Joy melody, but no one will expect to hear it over Johann Pachelbel's famous deceptive chaconne! A warm, unique adaptation of the immortal classic, this famous theme from Bee...
- 2 Trumpets and 2 Trombones
- Score and Parts
- Mike Forbes
- Kendor Music
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Beethoven's famous theme from his Choral Symphony, the Ninth, is used in many modern hymnals with the hymn text Joyful, Joyful We Adore Thee penned by Henry van Dyke (1852-1933). This version makes an...
Beethoven's famous theme from his Choral Symphony, the Ninth, is used in many modern hymnals with the hymn text Joyful, Joyful We Adore Thee penned by Henry van Dyke (1852-1933). This version makes an...
- Recorder Trio (SAT)
- Score and Parts
- James Duncan Carey
- Mimram Music
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- Tenor Recorder and Piano
- Piano Score and Part(s)
- Dennis Armitage
- Editions Marc Reift
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> Popular repertoire piece from the Viennese classical period > Idiomatic piano reduction > Solo part revised by Jan Plichta > New trilingual Foreword by Phillip Schmidt (Ger/Cz/Eng) The Bohemian comp...
> Popular repertoire piece from the Viennese classical period > Idiomatic piano reduction > Solo part revised by Jan Plichta > New trilingual Foreword by Phillip Schmidt (Ger/Cz/Eng) The Bohemian comp...
- Viola and Piano
- Piano reduction with part(s)
- Bärenreiter Verlag
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The edition is part of the Trinity syllabus 2007 (grade 5)
The edition is part of the Trinity syllabus 2007 (grade 5)
- Viola and Piano
- Sheet Music
- Schott Musik
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> Ideal for the first 'proper' recital > Of moderate technical difficulty but with brilliant impact > Duration: approx. 8 minutes Jean-Baptiste Bréval (1753-1823) was a member of the orchestra at the...
> Ideal for the first 'proper' recital > Of moderate technical difficulty but with brilliant impact > Duration: approx. 8 minutes Jean-Baptiste Bréval (1753-1823) was a member of the orchestra at the...
- Cello and Piano
- Piano reduction with part(s)
- Bärenreiter Verlag
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- Cello and Piano
- Piano reduction with part(s)
- Karl Heinz Füssl
- Bärenreiter Verlag
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The present Sonata in E minor originally was the first sonata in Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a vio...
The present Sonata in E minor originally was the first sonata in Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a vio...
- Cello Trio
- Score and Parts
- Schott Musik
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Die Wiener Sonatinen (Original 2 Bassetthörner und Fagott) in Transpositionen und Einrichtungen für verschiedene Instrumente: 2 Violinen und Viola oder ein Melodieinstrument und Klavier oder 2 Flöten...
Die Wiener Sonatinen (Original 2 Bassetthörner und Fagott) in Transpositionen und Einrichtungen für verschiedene Instrumente: 2 Violinen und Viola oder ein Melodieinstrument und Klavier oder 2 Flöten...
- Flexible ensemble (3 Instruments)
- Score and Parts
- Bärenreiter Verlag
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Die Wiener Sonatinen (Original 2 Bassetthörner und Fagott) in Transpositionen und Einrichtungen für verschiedene Instrumente: 2 Violinen und Viola oder ein Melodieinstrument und Klavier oder 2 Flöten...
Die Wiener Sonatinen (Original 2 Bassetthörner und Fagott) in Transpositionen und Einrichtungen für verschiedene Instrumente: 2 Violinen und Viola oder ein Melodieinstrument und Klavier oder 2 Flöten...
- Flexible ensemble (3 Instruments)
- Score and Parts
- Bärenreiter Verlag
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Die Wiener Sonatinen (Original 2 Bassetthörner und Fagott) in Transpositionen und Einrichtungen für verschiedene Instrumente: 2 Violinen und Viola oder ein Melodieinstrument und Klavier oder 2 Flöten...
Die Wiener Sonatinen (Original 2 Bassetthörner und Fagott) in Transpositionen und Einrichtungen für verschiedene Instrumente: 2 Violinen und Viola oder ein Melodieinstrument und Klavier oder 2 Flöten...
- Flexible ensemble (3 Instruments)
- Score and Parts
- Bärenreiter Verlag
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Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp,...
Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp,...
- Flute and Piano
- Piano Score and Part(s)
- Wolfgang Birtel
- Schott Musik
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This vocal showpiece for soprano has been adapted as a soloist showpiece. The string accompaniment has been simplified and divided between the remaining players. This is a great piece to show off a pl...
This vocal showpiece for soprano has been adapted as a soloist showpiece. The string accompaniment has been simplified and divided between the remaining players. This is a great piece to show off a pl...
- Flute Quintet
- Score and Parts
- David Marlatt
- Eighth Note Publications
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Discover Theobald Böhm's arrangements for alto flute in G, precisely reproduced from historical manuscripts and published here for the first time. Includes arrangements of well-known melodies by Beeth...
Discover Theobald Böhm's arrangements for alto flute in G, precisely reproduced from historical manuscripts and published here for the first time. Includes arrangements of well-known melodies by Beeth...
- Alto Flute and Piano
- Piano Score and Part(s)
- Theobald Böhm
- Schott Musik
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Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp,...
Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp,...
- Flute and Piano
- Piano reduction with part(s)
- Wolfgang Birtel
- Schott Musik
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- Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Bärenreiter Verlag
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> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...
> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...
- Piano, 2 Violins, 2 Violas and Cello
- Score and Parts (Urtext)
- Bärenreiter Verlag
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The Divertimento K. 247 in B-flat major was composed for the name day of Countess Antonia Lodron, and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to ac...
The Divertimento K. 247 in B-flat major was composed for the name day of Countess Antonia Lodron, and was first performed on 18 June 1776 in Salzburg. The little March K. 248 was presumably used to ac...
- 2 Horns, 2 Violins, Viola and Double Bass
- Set of Parts (Urtext)
- G. Henle Verlag
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- Violin, Cello and Piano
- Piano Score and Part(s)
- Karl Heinrich Möseler Verlag
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- High Voice, Clarinet and Strings
- Piano reduction with part(s)
- Nico Bertelli
- Bertelli Edizioni Musicali
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Mozart would have approved! This is one of the most famous classical pieces of all time and it works great for woodwind quintet. All the Mozartian technical fun is included in this version. All parts...
Mozart would have approved! This is one of the most famous classical pieces of all time and it works great for woodwind quintet. All the Mozartian technical fun is included in this version. All parts...
- 5 Woodwind Instruments
- Sheet Music
- David Marlatt
- Eighth Note Publications
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