Intermediate Classical Music (Romantic) Sheet Music

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade. Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night," composed in 1892 for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by...

Edward Elgar’s "Spanish Serenade: Stars of the Summer Night" from 1892, for mixed choir and orchestra, paints an enchanting picture of a summer night in Spain. The text is taken from a play by Henry L...

The composer's lively early work, written in 1822, already reveals his own style, but at the same time refers to the work of the same name by his lifelong role model J. S. Bach.

The composer's lively early work, written in 1822, already reveals his own style, but at the same time refers to the work of the same name by his lifelong role model J. S. Bach.

The composer's lively early work, written in 1822, already reveals his own style, but at the same time refers to the work of the same name by his lifelong role model J. S. Bach.

The composer's lively early work, written in 1822, already reveals his own style, but at the same time refers to the work of the same name by his lifelong role model J. S. Bach.

The composer's lively early work, written in 1822, already reveals his own style, but at the same time refers to the work of the same name by his lifelong role model J. S. Bach.

Oboe in Bb (Clarinet), Oboe in A (Clarinet), Clarinet 1/2 in C, Bassoon in high Bb (Bass clarinet), Trumpet 1/2 in C, Trumpet 1/2 in Es (Alto saxophone), Horn in high Bb (Tenor saxophone)

Die beiden in den Jahren 1897 und 1899 fertig gestellten Stücke "Chanson de Nuit" und "Chanson de Matin" des englischen Komponisten Edward Elgar waren ursprünglich für Violine und Klavier besetzt. Da...

Sonderstimmen: Holz I in B, Holz II in B, Holz III in Es, Blech I in Es, Blech II in Es, Blech III in B (tief), Blech IV in Es (tief) Die beiden in den Jahren 1897 und 1899 fertig gestellten Stücke "C...

Die beiden in den Jahren 1897 und 1899 fertig gestellten Stücke "Chanson de Nuit" und "Chanson de Matin" des englischen Komponisten Edward Elgar waren ursprünglich für Violine und Klavier besetzt. Da...

Sonderstimmen: Holz II in B, Holz III in Es, Holz IV in B (tief, Bassklarinette), Holz IV in Es (tief), Blech I in Es, Blech II in B (tief) Die beiden in den Jahren 1897 und 1899 fertig gestellten Stü...

Arrangement for orchestra (Original: Piano). The manuscript of Fanny’s Faust is dated 23 March 1843. The text of Fanny Hensel’s Faust is based on the opening stan-zas (4613-4678) of Part II, Act I and...