Hindemiths Sonaten gehören in das Repertoire vieler Instrumentalisten. Da Hindemith mit der Kleinen Kammermusik für Bläserquintett nur ein einziges Werk für diese Besetzung schrieb, lag nahe, eine sei...
Hindemiths Sonaten gehören in das Repertoire vieler Instrumentalisten. Da Hindemith mit der Kleinen Kammermusik für Bläserquintett nur ein einziges Werk für diese Besetzung schrieb, lag nahe, eine sei...
- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts
- Paul Leonard Schäffer
- Schott Musik
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Hindemiths Sonaten gehören in das Repertoire vieler Instrumentalisten. Da Hindemith mit der Kleinen Kammermusik für Bläserquintett nur ein einziges Werk für diese Besetzung schrieb, lag nahe, eine sei...
Hindemiths Sonaten gehören in das Repertoire vieler Instrumentalisten. Da Hindemith mit der Kleinen Kammermusik für Bläserquintett nur ein einziges Werk für diese Besetzung schrieb, lag nahe, eine sei...
- 5 Wind Instruments
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- Paul Leonard Schäffer
- Schott Musik
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- Flute, Oboe, Clarinet, Bassoon and Horn
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- June Emerson Edition
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The Bacchanale from the opera *Samson et Dalila* is one of Camille Saint-Saëns’s best-known orchestral works. At the beginning of the third act, it depicts the magnificent festival of the Philistines...
The Bacchanale from the opera *Samson et Dalila* is one of Camille Saint-Saëns’s best-known orchestral works. At the beginning of the third act, it depicts the magnificent festival of the Philistines...
- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts
- Jirka Kadlec
- Editions Marc Reift
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The Bacchanale from the opera *Samson et Dalila* is one of Camille Saint-Saëns’s best-known orchestral works. At the beginning of the third act, it depicts the magnificent festival of the Philistines...
The Bacchanale from the opera *Samson et Dalila* is one of Camille Saint-Saëns’s best-known orchestral works. At the beginning of the third act, it depicts the magnificent festival of the Philistines...
- Flute, Oboe, Clarinet, Horn and Bassoon
- Score and Parts Download
- Jirka Kadlec
- Editions Marc Reift
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1st voice in C (flute) 1st voice in Bb (clarinet/soprano sax.) 2nd voice in Bb (clarinet/trumpet) 2nd voice in Eb (alto sax.) 3rd voice in Bb (bass clarinet) 3rd voice in Bb (tuba) 3rd voice in Eb (ba...
1st voice in C (flute) 1st voice in Bb (clarinet/soprano sax.) 2nd voice in Bb (clarinet/trumpet) 2nd voice in Eb (alto sax.) 3rd voice in Bb (bass clarinet) 3rd voice in Bb (tuba) 3rd voice in Eb (ba...
- 3 Wind Instruments
- Score and Parts
- Joe Grain
- Musikverlag Rundel
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Experience Antonio Vivaldi’s masterful sonic power with the renowned Concerto No. 1 in F Major, Op. 10/1, RV 433 (PV 261) – aptly subtitled "La tempesta di mare" (The Sea Storm). This virtuosic master...
Experience Antonio Vivaldi’s masterful sonic power with the renowned Concerto No. 1 in F Major, Op. 10/1, RV 433 (PV 261) – aptly subtitled "La tempesta di mare" (The Sea Storm). This virtuosic master...
- Flute, Strings and Continuo
- Score
- Schott Musik
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Immerse yourself in the captivating and mysterious sonic world of Antonio Vivaldi's famous Flute Concerto No. 2 in G minor, Op. 10/2 (RV 439 / PV 342) – masterfully known as "La Notte" (The Night). Th...
Immerse yourself in the captivating and mysterious sonic world of Antonio Vivaldi's famous Flute Concerto No. 2 in G minor, Op. 10/2 (RV 439 / PV 342) – masterfully known as "La Notte" (The Night). Th...
- Flute, Strings and Continuo
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- Schott Musik
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- Alto Recorder, 2 Violins and Continuo
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- Schott Musik
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- 2 Violins, Viola and Continuo
- Score and Parts
- Schott Musik
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- Harpsichord, 2 Violins and Continuo
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- Harpsichord, 2 Violins and Continuo
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- Heinrich Wollheim
- Schott Musik
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Composer's note: 'Originally a song for children about flying in ones dreams, this lyrical piece tries never to touch the ground. The work was used in the Rugby 2003 World Cup opening ceremony in a ve...
Composer's note: 'Originally a song for children about flying in ones dreams, this lyrical piece tries never to touch the ground. The work was used in the Rugby 2003 World Cup opening ceremony in a ve...
- Violin, Cello and Piano
- Score and Parts
- Bote & Bock
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Anmerkung der Komponistin: 'Ein lyrisches Stück, das versucht, niemals den Boden zu berühren - denn ursprünglich war es ein Lied für Kinder über das Fliegen im Traum. In einer Version für großes Orche...
Anmerkung der Komponistin: 'Ein lyrisches Stück, das versucht, niemals den Boden zu berühren - denn ursprünglich war es ein Lied für Kinder über das Fliegen im Traum. In einer Version für großes Orche...
- Violin, Cello and Piano
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- String Quartet
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- String Quartet
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Piccolo and 4 Strings
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Piccolo and 4 Strings
- Set of Parts
- Bote & Bock
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- String Quartet with Vocal(s) (High Voice, 2 Violins, Viola and Cello)
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1. Si suoni la tromba One of the most difficult arias in the set, this piece employs a prominent extra-harmonic note (the e''-sharp in the cadence of measure 40 - achieved on the natural trumpet by ''...
1. Si suoni la tromba One of the most difficult arias in the set, this piece employs a prominent extra-harmonic note (the e''-sharp in the cadence of measure 40 - achieved on the natural trumpet by ''...
- High Voice, Trumpet and Continuo
- Sheet Music Download
- Editions Bim
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Experience the splendor and captivating brilliance of the Baroque era with »All'armi, pensieri«, expertly published by the renowned Editions Bim. This extraordinary work brings the radiant timbre of a...
Experience the splendor and captivating brilliance of the Baroque era with »All'armi, pensieri«, expertly published by the renowned Editions Bim. This extraordinary work brings the radiant timbre of a...
- High Voice, Trumpet and Piano
- Sheet Music Download
- Editions Bim
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
- Violin, Strings and Organ
- Director's Score
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Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
- Violin, Strings and Organ
- Set of Parts
- Schott Musik
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The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...
The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...
- 3 Violins, Viola, Cello and Double Bass
- Set of Parts
- Schott Musik
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The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
- 2 Flutes and Strings
- Set of Parts
- Schott Musik
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