Adapted from Velvet Shoes by Elinor Wylie, the text of this carol portrays the tranquil, almost eerie, atmosphere of walking alone in fresh snow. The musical setting reflects scenery, with a soaring s...
Adapted from Velvet Shoes by Elinor Wylie, the text of this carol portrays the tranquil, almost eerie, atmosphere of walking alone in fresh snow. The musical setting reflects scenery, with a soaring s...
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For my composition Cosa devo fare, I was inspired when I read the text accompanying the picture cycle Books of Venice by the Latvian artist Ilmars Blumbergs, who died in 2016. The Books of Venice, con...
For my composition Cosa devo fare, I was inspired when I read the text accompanying the picture cycle Books of Venice by the Latvian artist Ilmars Blumbergs, who died in 2016. The Books of Venice, con...
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Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.
Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.
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- Chester Music
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1. Miserere 2. Du, dem nie im Leben 3. Amplius
1. Miserere 2. Du, dem nie im Leben 3. Amplius
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- Sabine Bock
- Carus-Verlag
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- Carus-Verlag
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After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...
After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir—twice.“ In this very sound-...
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After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...
After ending his studies with Sechter, Bruckner wrote his Ave Maria in 1861. On October 3, 1861 he reported in a letter: "I was, in the end, splendidly aplauded by my choir-twice.“ In this very sound-...
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This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
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This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
This gradual for the Feast of Holy Church Fathers was composed in 1879. The Lydian setting is, as Bruckner himself said, "without sharps, without flats, without triads on the 7th step, without six-fou...
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- Carus-Verlag
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In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
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In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
In this interesting motet by Bruckner, short imitative choral sections alternate with monophonic chorale passages. There are also sections in the old falsobordone setting. The short work on a verse fr...
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Experience one of the most touching and beloved sacred classics in a resonant choral setting: 'Blessed assurance' has moved hearts worldwide for generations. With its uplifting message of deep faith,...
Experience one of the most touching and beloved sacred classics in a resonant choral setting: 'Blessed assurance' has moved hearts worldwide for generations. With its uplifting message of deep faith,...
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- Carus-Verlag
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The Slovenian composer Katarina Pustinek Rakar (b. 1979) studied music theory, oboe, singing, and composition in Ljubljana. She is actively involved with the best Slovenian choirs, is a member of the...
The Slovenian composer Katarina Pustinek Rakar (b. 1979) studied music theory, oboe, singing, and composition in Ljubljana. She is actively involved with the best Slovenian choirs, is a member of the...
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Die slowenische Komponistin Katarina Pustinek Rakar (*1979) studierte Musiktheorie, Oboe, Gesang und Komposition in Ljubljana. Sie arbeitete aktiv mit den besten slowenischen Chören zusammen, u.a. als...
Die slowenische Komponistin Katarina Pustinek Rakar (*1979) studierte Musiktheorie, Oboe, Gesang und Komposition in Ljubljana. Sie arbeitete aktiv mit den besten slowenischen Chören zusammen, u.a. als...
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