Tosca' might be described as a thriller with political overtones it shows its hero and heroine, the singer Floria Tosca and the painter Mario Cavaradossi, caught up in and eventually destroyed by the...
Tosca' might be described as a thriller with political overtones it shows its hero and heroine, the singer Floria Tosca and the painter Mario Cavaradossi, caught up in and eventually destroyed by the...
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Tosca' might be described as a thriller with political overtones it shows its hero and heroine, the singer Floria Tosca and the painter Mario Cavaradossi, caught up in and eventually destroyed by the...
Tosca' might be described as a thriller with political overtones it shows its hero and heroine, the singer Floria Tosca and the painter Mario Cavaradossi, caught up in and eventually destroyed by the...
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Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'L'amour est un oiseau rebelle', also named the Habanera is...
Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'L'amour est un oiseau rebelle', also named the Habanera is...
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Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'L'amour est un oiseau rebelle', also named the Habanera is...
Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'L'amour est un oiseau rebelle', also named the Habanera is...
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Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'L'amour est un oiseau rebelle', also named the Habanera is...
Carmen' is probably the most famous opera in the whole opera-repertoire, although its premiere in 1875 was a great disappointment. The aria 'L'amour est un oiseau rebelle', also named the Habanera is...
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At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
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At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
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At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
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At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
At the very end of the opera Otello sings Nium mi tema: he bids farewell to the chill corpse of Desdemona before stabbing himself. (Tenor and Concert Band)
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The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
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The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
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The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
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The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
The Aria Un baccio di mano (A handkissing) was conceived in May 1788 in Vienna for the singer Francesco Albertarelli as part of the opera Le Geloise fortunate from the Italian composer Pasquale Anfoss...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...
The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...
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The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...
The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...
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The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...
The duet La ci darem la mano (Give me the hand) from Mozart's opera Don Giovanni is sung in the first act when Don Giovanni asks the peasant daughter Zerlina to marry hem. (Soprano, Baritone and Conce...
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
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Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
Die lustige Witwe, composed by Franz Franz Lehar is one of the absolute highlights in the whole operetta-repertoire. The duet Lippen schweigen - Love unspoken - is a waltz in a very romantic mood sung...
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Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...
Until nowadays, La Traviata is still one of the most successful opera's in the music-literature. Giuseppe Giuseppe Verdi composed this opera in 1853 and it belongs to the top of Giuseppe Verdi's middl...
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