Intermediate Classical Music Sheet Music

The hometown of Claudia Montero, Buenos Aires, is the inspiration for her works. It express the contrast between a city full of life, and full of romanticism. Medium difficulty.

Transcribed and arranged by Louis Moyse. Thirty-two pieces for the early grades. Separate flute part with piano accompaniment.

Edited by Louis Moyse. Continuo part to be played by Viola, Cello or Bassoon.

Duette für Flöte und Gitarre erfreuen sich einer immer größeren Beliebtheit. Nun haben Jean Cassignol und Michel Démarez mit ihrem Heft '3 Duette nach Vivaldi und Haydn' eine weitere Sammlung beliebte...

Duett Nr. 4 F-dur, 5 C-dur, 6 G-dur - Duet No. 4 F major, 5 C major, 6 G major Flöte (2)/ Violine - Spielpartitur

Früher Händel zugeschrieben Flöte/ Oboe/ Violine, Basso continuo - Spielpartitur; Einzelstimme

Melodieinstrument (Flöte, Oboe, Violine) und Basso continuo. Spielpartitur; Einzelstimme

Sonaten G-dur Wq 123 und e-moll Wq 124 - Sonatas in G major Wq 123 and in E minor Wq 124 Flöte, Basso continuo - Spielpartitur; Einzelstimme

Sonaten a-moll Wq 128 und D-dur Wq 131 - Sonatas in A minor Wq 128 and in D major Wq 131 Flöte, Basso continuo - Einzelstimme

Vier Stücke und eine Sonate für Melodieinstrumente und Basso continuo Flöte/ Sopran-Blockflöte in c, Basso continuo - Spielpartitur; Einzelstimme

This simple theme by Gabriel Faure is arranged for flute duet with piano accompaniment. Key signature and numerous accidentals will provide a worthy challenge for grade 3 musicians.

Light staccato figures prevail in this bestselling version of Tschaikowsky's famous ballet theme. Playing with steady rhythmic precision is essential for best results.

Set in the form of a passionate Spanish dance, this famous aria from Bizet's Carmen adapts beautifully for flutes since all figures must be played with a light touch to be effective. A modulation at t...

This well-known Tschaikowsky melody will add rhythmic variety and a sense of mystery to your flute ensemble repertoire.

Although originally named the Infernal Galop from Act II, Scene 2 of Jacques Offenbach's operetta of 1858, Orpheus In The Underworld, this theme has become widely known as the high-kicking Can Can dan...

Selected by Atarah Ben-Tovim

Transcription: Yvon Rivoal and Georges Lambert

When you order, you will receive a ZIP file containing the PDF files (score and parts). You can unzip the ZIP file on your computer using a standard programme.

Consider the lichen of the Alaskan tundra. It does not hurry – patiently weaving itself into the fabric of the earth over centuries. It thrives in scarcity – mysteriously binding elements of air and r...

The compositions, arrangements and studies by Wilhelm Popp (1828-1903) are still very popular among flutists in particular today. Popp wrote more than 600 pieces at different levels of difficulty.Bril...

Even though Wolfgang Amadeus Mozart (1756-1791), admittedly, was no fan of the flute, he wrote unforgettable music for this instrument 'that I can't stand': two concertos, a double concerto with harp,...