Intermediate Classical Music Sheet Music

> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...

> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...

Composer's note: 'In 2000 I wrote a piece called Sand Waltz for the Canberra Wind Players. In the middle of it I wrote a four-chord progression. When I started working on the ballet Wild Swans (2003)...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

Composed in 1969 for Janet and Gilbert Norwood, *Elegy* for soprano, clarinet (or oboe), and piano is a setting of a poem by the American poet Thomas S. Jones Jr. (1882–1932). The approximately three-...

Composed in 1969 for Janet and Gilbert Norwood, *Elegy* for soprano, clarinet (or oboe), and piano is a setting of a poem by the American poet Thomas S. Jones Jr. (1882–1932). The approximately three-...

In his desire to broaden the repertoire for fellow flutists, Robert Stallman has developed a special gift for transcribing works of Great composers such as Bach, Mozart, Dvo?ák, Rossini, and others fo...

This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.

Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...

Stimmensatz - 2 Trompeten I/II, 2 Posaunen (Trompete III), 4 Violinen I/II/III, 4 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blech...

Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...

Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...

Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...

Padre Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others.Martini's compositions, between baroque and rococo as to style...

The repertoire of double concertos for two flutes (Telemann, Cimarosa) is enlarged by this interesting and original concerto.

This work consists of four short parts of varying character; the string part is very lively despite its simplicity and is given effective highlights by the solo trumpet.