Intermediate Classical Music Sheet Music

Haydn composed his first mass as a teenager, when he and his brother were still singing as boy sopranos at St. Stephen's Cathedral in Vienna. He probably wrote the two ornamented solo parts for himsel...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

Haydn's first mass, despite its popular melody, has a devotional character which, like its youthful verve, still inspired the old Haydn, who re-orchestrated his first work in 1805. The first version i...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

The title Messe brève no. 7 is absolutely right for this composition. No movement lasts longer than five minutes, and as well as that, Gounod does not set the Credo. That movement is to be sung congre...

An arragement for 2-part choir of Brahms' Zingari Bridal Day, with Piano accompaniment.

A rich setting of an Amy Lowell poem with lush piano and great part-writing for the vocalists, pointing them towards their "guiding light."

A rich setting of an Amy Lowell poem with lush piano and great part-writing for the vocalists, pointing them towards their "guiding light."

This stunning setting takes the performers back to the famous battle on Vimy Ridge during World War I. It traces a moving story that will captivate audiences.

Chor (MezMez) mit Instrumenten (Streicher)

Kantate nach einem französischen Weihnachtslied