Intermediate Classical Music of the Modern Age Sheet Music

Metal locked into metal . . . This album of frivolous flute duets will spice up your lessons and practice sessions. Creator of many well received original pieces and editions, Mark Tanner's three volu...

Metal locked into metal . . . This album of frivolous flute duets will spice up your lessons and practice sessions. Creator of many well received original pieces and editions, Mark Tanner's three volu...

Written for the California Junior High All-State Honor Choir, this piece sets a motivational text by the composer on the theme of embracing new opportunities and, using the metaphor of a river, encour...

The beginning is taken from one of my previous works (1994) written for women's choir with harp and incorporated into this Libera me, with the addition of two horns. The first performance was given in...

A very tongue-in-cheek look at the delights of 18th century London and useful as a festival piece.

I am a pool is taken from A Memory of the Ocean (2023), a collection of pieces scored for choir, piano and cello. The text is a setting of The Sea-Wind by American poet, Sara Teasdale (1884–1933). Com...

Ralph Waldo Emerson 1803-1882 Fable The mountain and the squirrel Had a quarrel; And the former called the latter 'Little Prig. Bun replied, 'You are doubtless very big; But all sorts of things and we...

Gerard Manley Hopkins 1844 - 1889 God's Grandeur The world is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like to ooze of oil Crushed....

William Wordsworth 1770- 1850 It Is a Beauteous Evening It is a beauteous evening, calm and free, The holy time is quiet as a Nun Breathless with adoration: the broad sun Is sinking down in its tranqu...

This work began as one movement of a larger work - a Mass. My intention was to compose the first sung prayer in the Order, that being a Kyrie, but the sudden death of a dear friend, a young, single mo...

This is a fine tune and yet one of the least well known of the series.

Always a popular choice, within the reach of most choirs.

The flute has a counter melody which the two voice parts weave the tune around.

The Alto has the tune, the choir comment on it and the piano adds immeasurably to this very popular arrangement.

Richard Lane dedicated with pleasure smaller works to friends or students. All have his caracteristic musical signature, a synthesis between charm and an exceptional sens for melodic and harmonic form...

Hindemiths Sonaten gehören in das Repertoire vieler Instrumentalisten. Da Hindemith mit der Kleinen Kammermusik für Bläserquintett nur ein einziges Werk für diese Besetzung schrieb, lag nahe, eine sei...

Suite Detroit: Sounds of an American City was commissioned by the Music Teachers National Association to provide young musicians with the experience of collaborative music making. Each of the three mo...

2002 komponierte Elena Kats-Chernin nach Hans Christian Andersens Märchen 'Die wilden Schwäne' das Ballett 'Wild Swans' für Australian Ballet und die Choreografin Mery Tankard - beide Künstlerinnen ha...

Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...

I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)