Intermediate Classical Music of the Modern Age Sheet Music

Circular Argument takes its roots in the music of Balcan countries. Each movement of this suite has its own character, based on a main theme. A lively and casual work which connects to all kinds of me...

One aspect when writing for brass quintet that has always interested me has been all the available color and timbre possibilities. My first brass quintet, Four Sketches (BIM ENS48 - 1990), explored a...

A perfect interlude in Mozart's style Voice I: trumpet in C or Bb. Voice II:trombone (bass or treble clef) or horn in F or alto horn in Eb. Voice III: euphonium (bass or treble clef)

A perfect interlude in Mozart's style Voice I: trumpet in C or Bb. Voice II:trombone (bass or treble clef) or horn in F or alto horn in Eb. Voice III: euphonium (bass or treble clef)

In this Trio, Corrado Saglietti adopted a language that is both essential and refined. A pause, when used with purpose, can easily create an element of surprise in the musical discourse: its silence b...

In this Trio, Corrado Saglietti adopted a language that is both essential and refined. A pause, when used with purpose, can easily create an element of surprise in the musical discourse: its silence b...

Three Sketches for Brass Quintet was composed in 2007 and later revised in 2016. The piece consists of three contrasting movements, each with its own distinctive character. Each movement began as a se...

Three Sketches for Brass Quintet was composed in 2007 and later revised in 2016. The piece consists of three contrasting movements, each with its own distinctive character. Each movement began as a se...

Dialogues IV for euphonium and tuba was composed in 2019 as the fourth in a series of duets by John Stevens for tuba and other brass instruments. This work is dedicated to the second of my four grands...

Dialogues IV for euphonium and tuba was composed in 2019 as the fourth in a series of duets by John Stevens for tuba and other brass instruments. This work is dedicated to the second of my four grands...

FANFARE FOR AN UNCOMMON MAN is a work for orchestral brass and percussion composed in 2011. It was commissioned by the Wisconsin School Music Foundation for the Wisconsin Youth Symphony Orchestra and...

FANFARE FOR AN UNCOMMON MAN is a work for orchestral brass and percussion composed in 2011. It was commissioned by the Wisconsin School Music Foundation for the Wisconsin Youth Symphony Orchestra and...

CETE was composed in 2019 and 2020 for Dan Grabois (horn), Mark Hetzler (trombone) and Tom Curry (tuba) from the Wisconsin Brass Quintet. The single movement work is in three sections: Allegro molto -...

CETE was composed in 2019 and 2020 for Dan Grabois (horn), Mark Hetzler (trombone) and Tom Curry (tuba) from the Wisconsin Brass Quintet. The single movement work is in three sections: Allegro molto -...

Charles Reskin's Brass Quintet No. 2 is a lively, three-movement work inspired by the fascinating world of alpine skiing. Each movement takes the listener on its own musical descent, blending technica...

Charles Reskin's Brass Quintet No. 2 is a lively, three-movement work inspired by the fascinating world of alpine skiing. Each movement takes the listener on its own musical descent, blending technica...

Kaitsenko was an exclusive warrior society of the Kiowa Indians. The Kaitsenko vowed to each other to die only in battle with their enemies. It was the desire of the composer to capture the drama of t...

The Concertino can be performed as chamber music with one musician per part (2 for the divisi tuba part).

The Concertino can be performed as chamber music with one musician per part (2 for the divisi tuba part).

Textures was composed in 1996 for the Penn State Tuba/Euphonium Ensemble and commissioned by Marty Erickson. It is a symphony for 12-part tuba/euphonium ensemble in three movements that explores diffe...