Intermediate Classical Music of the Modern Age Sheet Music
trumpet, trombone and orchestra or piano Exact instrumentation: 3(picc).2.2.2 - 4.0.0.0. - timpani, percussion (2), strings
trumpet, trombone and orchestra or piano Exact instrumentation: 3(picc).2.2.2 - 4.0.0.0. - timpani, percussion (2), strings
- Trumpet, Trombone and Piano
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The Triple Concerto for trumpet, horn, trombone and orchestra exploits many different textures both within the solo group and the orchestra itself. Each of the solo instruments is called upon at times...
The Triple Concerto for trumpet, horn, trombone and orchestra exploits many different textures both within the solo group and the orchestra itself. Each of the solo instruments is called upon at times...
- Trumpet, Horn, Trombone and Piano
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Broceliande is a mythical forest of the Arthurian legend, where many stories are told about Merlin, the fairies Morgane and Viviane, as well as some knights of the round table. The enchanter Merlin,...
Broceliande is a mythical forest of the Arthurian legend, where many stories are told about Merlin, the fairies Morgane and Viviane, as well as some knights of the round table. The enchanter Merlin,...
- 2 Horns and Harp
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Broceliande is a mythical forest of the Arthurian legend, where many stories are told about Merlin, the fairies Morgane and Viviane, as well as some knights of the round table. The enchanter Merlin,...
Broceliande is a mythical forest of the Arthurian legend, where many stories are told about Merlin, the fairies Morgane and Viviane, as well as some knights of the round table. The enchanter Merlin,...
- 2 Horns and Harp
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The 'Trio for Violin, Horn, and Piano' was inspired by a desire to represent the contrasts of our era: a time marked by light and darkness, passion and indifference, globalization and solitude. Throug...
The 'Trio for Violin, Horn, and Piano' was inspired by a desire to represent the contrasts of our era: a time marked by light and darkness, passion and indifference, globalization and solitude. Throug...
- Violin, Horn and Piano
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The 'Trio for Violin, Horn, and Piano' was inspired by a desire to represent the contrasts of our era: a time marked by light and darkness, passion and indifference, globalization and solitude. Throug...
The 'Trio for Violin, Horn, and Piano' was inspired by a desire to represent the contrasts of our era: a time marked by light and darkness, passion and indifference, globalization and solitude. Throug...
- Violin, Horn and Piano
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- Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass
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- Clarinet, Bassoon, Horn, Violin, Viola, Cello and Double Bass
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- Piano, Violin and Cello
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3 Playing Scores.
- Oboe, Cello and Vibraphone
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In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...
In 1966, New York clarinetists Jack Kreiselman and Daniel H. Leeson were engaged to play the two Mendelssohn concert pieces at the Brooklyn Museum (broadcast live on WNYC radio). Daniel Leeson asked R...
- Ensemble
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In 1963, I played in a trio with the astonishingly beautiful combination of clarinet, viola and piano. Mozart, with his trio ''Kegelstatt'' (KV. 498) from August 9, 1786, probably composed the first a...
In 1963, I played in a trio with the astonishingly beautiful combination of clarinet, viola and piano. Mozart, with his trio ''Kegelstatt'' (KV. 498) from August 9, 1786, probably composed the first a...
- Clarinet, Viola and Piano
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Richard Lane composed this second trio for viola, B-flat clarinet and piano in 1981 at my request, as I had an excellent chamber music class at Queensborough Community College at the time. The premier...
Richard Lane composed this second trio for viola, B-flat clarinet and piano in 1981 at my request, as I had an excellent chamber music class at Queensborough Community College at the time. The premier...
- Clarinet, Viola and Piano
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The 'Sonate en Trio' op. 46 was commissioned by Hannelore Müller, member of the Barock Trio of the Schola Cantorum Basiliensis and composed 1969. The first version for historical instruments was premi...
The 'Sonate en Trio' op. 46 was commissioned by Hannelore Müller, member of the Barock Trio of the Schola Cantorum Basiliensis and composed 1969. The first version for historical instruments was premi...
- Viola, Cello and Piano
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The 'Sonate en Trio' op. 46 was commissioned by Hannelore Müller, member of the Barock Trio of the Schola Cantorum Basiliensis and composed 1969. The first version for historical instruments was premi...
The 'Sonate en Trio' op. 46 was commissioned by Hannelore Müller, member of the Barock Trio of the Schola Cantorum Basiliensis and composed 1969. The first version for historical instruments was premi...
- Viola, Cello and Piano
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Subtitled 'Suite Franþaise,' Le Jardin Provenþal consists of four movements, none of which describe a particular garden in Provence. The first movement is a brisk Ouverture in sonata form followed by...
Subtitled 'Suite Franþaise,' Le Jardin Provenþal consists of four movements, none of which describe a particular garden in Provence. The first movement is a brisk Ouverture in sonata form followed by...
- Flute, Oboe, Cello and Harpsichord
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- Flute and Cello
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In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...
In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...
- Violin, Horn and Piano
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In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...
In November 1986, Richard Lane composed this Trio for violin, horn in F, and piano, his 309th work, and dedicated it to Elaine Sutin-Teicher (violin), Susan Teicher (piano), and Kazimierz Machala (hor...
- Violin, Horn and Piano
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Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...
Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...
- Trumpet, Horn, Trombone, Piano, 2 Violins, Viola, Cello and Double Bass
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Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...
Festival Music was written in 1997 and commissioned by Ikemiya Music in celebration of the 600th year anniversary of the Temple of the Golden Pavilion in Kyoto, Japan.The opening ceremonies took place...
- Trumpet, Horn, Trombone, Piano, 2 Violins, Viola, Cello and Double Bass
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ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...
ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...
- Trumpet, tuba, violin and viola
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ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...
ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...
- Trumpet, tuba, violin and viola
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
- String Quartet
- Piano Score and Part(s)
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
- String Quartet
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