Intermediate Classical Music of the Modern Age Sheet Music
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- Georges Moreau
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- Trevor Cramer
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The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project "Modern Times", three years after the orchestra had caused a sensation with "Rhythm Is It!". Purple Silenc...
The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project "Modern Times", three years after the orchestra had caused a sensation with "Rhythm Is It!". Purple Silenc...
- Horn Quartet
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The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project "Modern Times", three years after the orchestra had caused a sensation with "Rhythm Is It!". Purple Silenc...
The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project "Modern Times", three years after the orchestra had caused a sensation with "Rhythm Is It!". Purple Silenc...
- Horn Quartet
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Robert Delanoff - PHOURHIES (2005) for horn quartet In PHOURHIES, Robert Delanoff presents a work that is as imaginative as it is original. Its mysterious title is composed of the first letters of the...
Robert Delanoff - PHOURHIES (2005) for horn quartet In PHOURHIES, Robert Delanoff presents a work that is as imaginative as it is original. Its mysterious title is composed of the first letters of the...
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Robert Delanoff - PHOURHIES (2005) for horn quartet In PHOURHIES, Robert Delanoff presents a work that is as imaginative as it is original. Its mysterious title is composed of the first letters of the...
Robert Delanoff - PHOURHIES (2005) for horn quartet In PHOURHIES, Robert Delanoff presents a work that is as imaginative as it is original. Its mysterious title is composed of the first letters of the...
- Horn Quartet
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Mister JPC is a twofold homage: to the blues of John Coltrane, and to the talent of the score's dedicatee, Jean-Pierre Cénédèse. It follows the standard outline of late 19th-century and early 20th-cen...
Mister JPC is a twofold homage: to the blues of John Coltrane, and to the talent of the score's dedicatee, Jean-Pierre Cénédèse. It follows the standard outline of late 19th-century and early 20th-cen...
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Mister JPC is a twofold homage: to the blues of John Coltrane, and to the talent of the score's dedicatee, Jean-Pierre Cénédèse. It follows the standard outline of late 19th-century and early 20th-cen...
Mister JPC is a twofold homage: to the blues of John Coltrane, and to the talent of the score's dedicatee, Jean-Pierre Cénédèse. It follows the standard outline of late 19th-century and early 20th-cen...
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11 capriccios and many ways for the horn player to have fun, to develop his technical skills and to impress audiences. Zdenek Divoky composed these pieces as a connoisseur of the instrument, covering...
11 capriccios and many ways for the horn player to have fun, to develop his technical skills and to impress audiences. Zdenek Divoky composed these pieces as a connoisseur of the instrument, covering...
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11 capriccios and many ways for the horn player to have fun, to develop his technical skills and to impress audiences. Zdenek Divoky composed these pieces as a connoisseur of the instrument, covering...
11 capriccios and many ways for the horn player to have fun, to develop his technical skills and to impress audiences. Zdenek Divoky composed these pieces as a connoisseur of the instrument, covering...
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The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
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The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
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The three miniatures for solo horn were written at the request of Jean-Pierre Cénédèse for the second edition of the René Vidalot Competition. The first, Aqueuses articulations [Watery Articulations],...
The three miniatures for solo horn were written at the request of Jean-Pierre Cénédèse for the second edition of the René Vidalot Competition. The first, Aqueuses articulations [Watery Articulations],...
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The three miniatures for solo horn were written at the request of Jean-Pierre Cénédèse for the second edition of the René Vidalot Competition. The first, Aqueuses articulations [Watery Articulations],...
The three miniatures for solo horn were written at the request of Jean-Pierre Cénédèse for the second edition of the René Vidalot Competition. The first, Aqueuses articulations [Watery Articulations],...
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This 'Nocturne' for Horn and Strings was written in 1987 for the American hornist Gail Williams, and was completed in 1988 in Los Angeles. The work especially brings out the lyrical and expressive sid...
This 'Nocturne' for Horn and Strings was written in 1987 for the American hornist Gail Williams, and was completed in 1988 in Los Angeles. The work especially brings out the lyrical and expressive sid...
- Horn and Piano
- Piano reduction with part(s) Download
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- Horn and Piano
- Piano reduction with part(s) Download
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On a characteristic tango atmosphere, a melancholic and sensual melody opens the first piece. A simple and vibrant chant comes next, in a frame that's sometimes rarefied, sometimes passionate. The fin...
On a characteristic tango atmosphere, a melancholic and sensual melody opens the first piece. A simple and vibrant chant comes next, in a frame that's sometimes rarefied, sometimes passionate. The fin...
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Fanfare EMMA is a commission by Espoo Museum of Modern Art (Finland) and composed for its opening ceremony in 2006. performance notice Horn I & II start to play on stage. Horn III is behind the stage...
Fanfare EMMA is a commission by Espoo Museum of Modern Art (Finland) and composed for its opening ceremony in 2006. performance notice Horn I & II start to play on stage. Horn III is behind the stage...
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Fanfare EMMA is a commission by Espoo Museum of Modern Art (Finland) and composed for its opening ceremony in 2006. performance notice Horn I & II start to play on stage. Horn III is behind the stage...
Fanfare EMMA is a commission by Espoo Museum of Modern Art (Finland) and composed for its opening ceremony in 2006. performance notice Horn I & II start to play on stage. Horn III is behind the stage...
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The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
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The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
The Pavane pour une infante défunte (Pavane for a dead Princess) was originally written for solo piano in 1899 and dedicated to the Princess de Polignac. In 1910, the composer transcribed it for small...
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A very creative writing that gives this concerto a magical character, a kind of imaginary journey. Anthony Plog wrote the Horn Concerto No. 1 in 2003. It is a very adventurous work, both in terms of f...
A very creative writing that gives this concerto a magical character, a kind of imaginary journey. Anthony Plog wrote the Horn Concerto No. 1 in 2003. It is a very adventurous work, both in terms of f...
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