Intermediate March Sheet Music
The Coronation Mass of March 1779 is said to have been composed for the coronation of an image of the Virgin in the church of Maria Plain near Salzburg, though there is no evidence to support this. In...
The Coronation Mass of March 1779 is said to have been composed for the coronation of an image of the Virgin in the church of Maria Plain near Salzburg, though there is no evidence to support this. In...
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Ludwig van Beethoven composed several military marches: 'Polonaise' (WoO21), 'Ecossaise' (WoO 22), 'Yorckscher March' (WoO 18), 'Military March' (WoO 19) 'Military March in D Major' (WoO 24) and the '...
Ludwig van Beethoven composed several military marches: 'Polonaise' (WoO21), 'Ecossaise' (WoO 22), 'Yorckscher March' (WoO 18), 'Military March' (WoO 19) 'Military March in D Major' (WoO 24) and the '...
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- Sergio Rodríguez Pena
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Ludwig van Beethoven composed several military marches: 'Polonaise' (WoO21), 'Ecossaise' (WoO 22), 'Yorckscher March' (WoO 18), 'Military March' (WoO 19) 'Military March in D Major' (WoO 24) and the '...
Ludwig van Beethoven composed several military marches: 'Polonaise' (WoO21), 'Ecossaise' (WoO 22), 'Yorckscher March' (WoO 18), 'Military March' (WoO 19) 'Military March in D Major' (WoO 24) and the '...
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- Sergio Rodríguez Pena
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....Now I have a young King who really loves me ecstatically; you cannot conceive what that means. I remember a dream which I had in my youth: I dreamed that Shakespeare was living, and that I saw him...
....Now I have a young King who really loves me ecstatically; you cannot conceive what that means. I remember a dream which I had in my youth: I dreamed that Shakespeare was living, and that I saw him...
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....Now I have a young King who really loves me ecstatically; you cannot conceive what that means. I remember a dream which I had in my youth: I dreamed that Shakespeare was living, and that I saw him...
....Now I have a young King who really loves me ecstatically; you cannot conceive what that means. I remember a dream which I had in my youth: I dreamed that Shakespeare was living, and that I saw him...
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Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
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- Gregor Kovacic
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Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
Nikolai Rimsky-Korsakov's opera 'Mlada' is a Wagner-influenced epic teeming with national conflicts and battles in the spirit world; it draws on Russian myth, yet contains parallels to Goethe's Faust...
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- Gregor Kovacic
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Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...
Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...
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- Gottfried Veit
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Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...
Richard Strauss (1864-1949) achieved his fame primarily through his 16 operas, his 9 symphonic poems, but also through his almost 100 songs. What makes Richard Strauss particularly likeable is the fac...
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- Gottfried Veit
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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...
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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...
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- Marco Tamanini
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On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...
On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...
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On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...
On 15 March 1811 Carl Maria von Weber (1786-1826) arrived in Munich looking for work.He must have begun his Clarinet Concertino almost at once: it was written for Heinrich Bärmann, the clarinettist of...
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Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...
Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...
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Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...
Pyotr Ilych Tschaikowsky composed his Marche Slave in five days in the fall of 1876, completing the score on October 7 (and beginning his Symphonic Fantasia Francesca da Rimini the same day).It's mayb...
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Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...
Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...
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Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...
Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...
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Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)
Every year, Pomp and Circumstance (March no.1) is one of the encore's at the Last Night of the Proms in London: without any doubt, it's Edward Elgar's most populair work. (Concert Band)
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Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...
Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...
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- Gerhart Drijvers
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Crown Imperial is an orchestral march by the English composer William Walton. It was first performed at the coronation of King George VI in 1937, and substantially revised in 1963. Walton composed the...
Crown Imperial is an orchestral march by the English composer William Walton. It was first performed at the coronation of King George VI in 1937, and substantially revised in 1963. Walton composed the...
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Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...
Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...
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Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...
Frederico Chueca (1846-1908) and Joaquin Valverde (1846-1910) had been collaborating since 1875. They had already enjoyed huge success with 'La canción de la Lola' in 1880 and "La Gran Vía" was to ecl...
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- Oscar Senen
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'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...
'Joyeuse Marche' by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was 'Prélude Pastoral') first performed on 4 November 1888 in Angers, conducted by th...
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- Marc Koninkx
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Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
Joyeuse Marche by French composer Emmanuel Chabrier is the second half of a pair of orchestral pieces (the other was "Prélude Pastoral") first performed on 4 November 1888 in Angers, conducted by the...
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- Marc Koninkx
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Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
Edvard Grieg composed his Funeral March in Memory of Rikard Nordraak in 1866, in honour of his friend and fellow Norwegian composer Rikard Nordraak, who had died in March of that year at the age of 23...
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