Intermediate March Sheet Music

Turn-of-the-(20th)-century music is featured in Concert in the Park. This pot-pourri of styles features waltzes, gallops, ragtime, and marches - types of music usually performed at an outdoor concert....

Another Alfred Reed spectacular! Aside from being a purely musical concert piece, Fanfare & Processional may be used for numerous extra-musical functions such as a ceremony, graduation march, incident...

Sándor Petöfi actually Alexander Petrovics, born on 1 January 1823 in Kiskörös, died on 31 July 1849 near Sighisoara (Romania), was a Hungarian poet and folk hero of the Hungarian struggle for freedom...

Each of the three movements of this work uses a particular section of the North Texas State Alma Mater as its formative material, since it was commissioned in honor of Dennis Fisher and his 25 years o...

Moving between 6/8 and 2/4 meters, this is classic Sousa and is ensemble playing throughout; no one rests from beginning to end. Solid concert fare.

Part march, part Spanish popular music, part reflective solo trumpet cadenza, this is a lively and exciting work that will work as a welcome change of pace for any concert program. The editing is expl...

While renowned for his orchestral and piano works, Edvard Grieg composed this band work as the funeral music for his friend and colleague Rikard Nordraak. Respectfully edited for modern wind bands by...

The musical comedy The Yankee Girl (1909) needed a march and Sousa was asked to provide one. The result was one of his most melodic efforts, with wonderful euphonium countermelodies and a great piccol...

One of the greatest circus marches of all time, an authentic 'screamer,' this new Fennell Edition incorporates those special touches which are the hallmarks of Fennell's march performances. Recorded o...

One of the greatest 'screamers' (circus marches) of all time and a favorite of Merle Evans, The Circus Bee, like Fillmore's Rolling Thunder is a real challenge for the low brass. Meticulously edited,...

Arranged for the United States Marine Band at the request of President John F. Kennedy, this outstanding march is now available for the first time. The melody is a traditional folk song with words by...

This Grand Italian March, a longtime favorite of its editor, introduces the new Colonel Arnald D. Gabriel Series. While the march does call for two euphonium parts, there is only one part each for flu...

The forces of nature are at their most vibrant in this great circus march adaptation by Frederick Fennell. One of the greatest circus marches of all time, an authentic "screamer," this Fennell Edition...

One of the greatest 'screamers' (circus marches) of all time and a favorite of Merle Evans, The Circus Bee, like Fillmore's Rolling Thunder is a real challenge for the low brass. Meticulously edited,...

Arranged for the United States Marine Band at the request of President John F. Kennedy, this outstanding march is now available for the first time. The melody is a traditional folk song with words by...

LudwigMasters Publications is pleased to add this stirring march to our Heritage of the Concert Band Series. Sousa's marches are a national treasure and this is a fine example of his style, arranged b...

Written for Powell Crosley of the Crosley Radio Corporation, The Crosley March arranged by Loras John Schissel resounds with the zest of Fillmore at his best. It's not easy, but it's worth any time ne...

Powhatan's Daughter March (pronounced POW-uh-tan), was composed between 1906 and 1907. Although informally written in honor of Pocahontas, the march's inherent character probably informed Sousa's deci...

By definition, True and Fair by David C. Cole is a British march, but it has a distinctly American flavor and the singular melodic appeal that sets it above and apart from many other works. You can't...

I wrote' Galloping Ghosts (A Ragtime March)' to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called 'Rags for Divers Players. 'This work...

I wrote' Galloping Ghosts (A Ragtime March)' to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called 'Rags for Divers Players. 'This work...