Intermediate Sacred & Church Music Sheet Music

This vocal showpiece for soprano has been adapted for a showpiece within the ensemble. The string accompaniment has been simplified and divided between the remaining players. This is a great piece to...

Full score for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts, as well as for use in sacred settings. The music is ju...

Set of parts for the brass accompaniment to John Rutter's popular setting of the Te Deum: a hymn of praise that is appropriate for choral concerts, as well as for use in sacred settings. The music is...

Kantate zum 3. Ostertag, nach dem Urtext der Neuen Bach-Ausgabe. Bass solo, Gemischter Chor-SATB, Oboe, Violine/ Flöte, Basso continuo

Trauerkantate für 2 Solostimmen, Chor und Instrumente - Funeral Cantata for 2 Solo Voices, Chorus and Instruments. Sopran solo, Bass solo, Gemischter Chor-SATB, Flöte, Oboe, Streicher, Orgel - Partitu...

Vorabdruck der Neuen Schütz-Ausgabe. Gemischter Chor, Gemischter Chor (2)-SATB+SATB, Violine (2), Violone, Posaune (3), Basso continuo - Partitur; Urtextausgabe

Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott, Horn (2), Streicher, Basso continuo - Partitur; Urtextausgabe

Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Streicher, Basso continuo - Partitur

Urtext der Neuen Bach-Ausgabe. Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe

Urtext der Neuen Bach-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Streicher, Basso continuo - Partitur; Urtextausgabe

Gemischter Chor (2)- SSAT + ATBB, Clarin-Trompete (2) - Partitur

> Complete urtext edition at the cutting edge of scholarship > First publication of two motets > Catalogue of all Froberger works in an appendix (FbWV) Each volume in this bilingual edition of all the...

The harrowing Old Testament story of the army commander Jephthah, bound by a sacred vow to kill his daughter, inspired the Roman composer Giacomo Carissimi to create this intense and moving setting. W...

Danish composer John Høybye enjoys great acclaim at home and abroad, not just for his music but also for his work as a (choral) conductor and arranger. Presenting a medium level of difficulty, Hope. E...

The "Gloria in D" RV 589 is one of Vivaldi's best-known sacred works. The musically representative work in the style of a so-called "cantata mass" is divided into 12 parts, which differ in instrumenta...

The "Gloria in D" RV 589 is one of Vivaldi's best-known sacred works. The musically representative work in the style of a so-called "cantata mass" is divided into 12 parts, which differ in instrumenta...

What does the early Bruckner sound like? The Magnificat in B flat major sheds an unexpected light on the young composer on the threshold of his great church works. The approximately 5-minute work in t...

The best-known requiem mass before Mozart's unfinished Requiem was written by the opera composer Niccolò Jommelli, who was celebrated in his day. The Missa pro defunctis was composed in 1756 during hi...

Tango Argentino meets Classic! The Argentine composer Martín Palmeri, whose Misatango is beloved by many choirs, has set Psalm 127 Nisi Dominus for solo soprano and mixed choir, accompanied by bandone...

The alto cantata 'Geist und Seele wird verwirret' has seven movements; in the opening movements of the two parts of the cantata, a lost concerto by Bach survives in its original form, which he had arr...

It only became apparent a few years ago that the text of the soprano cantata 'Falsche Welt, dir trau ich nicht'' came from the collection Gott-geheiligten Sabbaths-Zehnden by the Leipzig theology stud...

The Reformation cantata Ein feste Burg ist unser Gott BWV 80b, published by Carus-Verlag for the first time in a practical performing edition, remained unknown to Bach scholars until well into the 20t...

The first version of the Reformation cantata "Eine feste Burg ist unser Gott" BWV 80b, published for the first time in a practical edition by Carus-Verlag, remained unknown to Bach scholars until well...

For this choral cantata, Bach took the 1st, 4th and 7th verses of the chorale of the same name by Georg Neumark. The other verses, however, were mixed with free adaptations.

Thanks to its popular choral text, Bach's choral cantata "Lobe den Herren, den mächtigen König der Ehren" BWV 137 has long been one of the St. Thomas cantor's most frequently performed works. Unlike t...