Intermediate Sheet Music Downloads (PDF)

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

DIALOGUE by Jean-François Michel is an original mini-concerto for two solo instruments, conceived as a veritable, complicit exchange between two musicians. The work consists of two very different part...

6 Marce per la Cavalleria (ZWV 212), composed by Jan Dismas Zelenka, an important figure in Czech Baroque music, demonstrates his fine sense of rhythm and harmonic color. These marches convey a milita...

6 Marce per la Cavalleria (ZWV 212), composed by Jan Dismas Zelenka, an important figure in Czech Baroque music, demonstrates his fine sense of rhythm and harmonic color. These marches convey a milita...

6 Marce per la Cavalleria (ZWV 212), composed by Jan Dismas Zelenka, an important figure in Czech Baroque music, demonstrates his fine sense of rhythm and harmonic color. These marches convey a milita...

The Concerto Saint Marc Op. 6 No. 11 by Tomaso Albinoni stands in the great tradition of the Italian concerto at the beginning of the 18th century. The Venetian composer is known for the elegance of h...

The Concerto Saint Marc Op. 6 No. 11 by Tomaso Albinoni stands in the great tradition of the Italian concerto at the beginning of the 18th century. The Venetian composer is known for the elegance of h...

The Concerto Saint Marc Op. 6 No. 11 by Tomaso Albinoni stands in the great tradition of the Italian concerto at the beginning of the 18th century. The Venetian composer is known for the elegance of h...

I composed this cantata for the Edinburgh Gaelic Choir. The Scottish Gaelic text is by the poet Myles Campbell (Maoilios Caimbeul) from the Isle of Skye. The text is a dialog between the ocean and man...

The first publication of these sonatas by Camillo Schoenbaum in the "Hortus Musicus" series three decades ago was a pioneering act that paved the way for today's Zelenka renaissance. However, new find...

Campagnolis 3. Duett aus op. 2 zählt zu den spielfreudigsten. Einer konzertanten Flötenstimme - ohne hohe technische Ansprüche - steht die Violine mit viel akkordischer Figuration, im Ganzen aber begl...

This Trio op. 49 for violin, violoncello and piano was composed in 1839. In a letter dated March 21, 1840 to Ignaz Moscheles, Mendelssohn mentioned an inquiry by the publisher Ewer in London to arrang...

Louis Spohr's Fantasie op. 35 from 1807 is one of the standard works of the solo harp repertoire today. The work was composed in Gotha, where Spohr's wife Dorette received harp lessons from the court...

World premiere on January 27, 1958 in New York: Nicanor Zabaleta

The evocative title La Forêt enchantée [The enchanted forest] came to me purely by chance and the subtitles followed spontaneously: 1. par un matin [One morning] , 2. dans le lointain, el...

oboe, english horn, heckelphone and bassoon

oboe, english horn, tenor oboe and bassoon (manuscript edition)