Intermediate Sheet Music Downloads (PDF)

Exploring rhythms and chord changes emblematic of Afro-Cuban music, Prelude and Fiesta moves from a spicy ballad to a depiction of a fiery Latin street festival. Erik Morales includes a full percussio...

Exploring rhythms and chord changes emblematic of Afro-Cuban music, Prelude and Fiesta moves from a spicy ballad to a depiction of a fiery Latin street festival. Erik Morales includes a full percussio...

Also includes alto saxophone and baritone sax parts without clarinet part! Jazz Ballad Duration approx. 8 min Rich harmonies and dramatic dynamics characterize this piece. In this version without doub...

An outstanding ballad for tenor or soprano saxophone soloist, this chart is truly gorgeous. Modest brass ranges (trumpet to fourth space E) make this arrangement accessible to most high school jazz en...

This musical elegy by composer Dan Forrest was originally set for mixed voices with optional piano. Also available for male chorus with piano, this new setting for treble voices with piano is a deeply...

This well-known traditional spiritual gets a fresh new rhythmic setting here by composer Stacey Gibbs. Scored for unaccompanied mixed chorus (divisi), the piece joins the many outstanding works found...

Gothic Horror in Musik: Diese ebenso unterhaltsame wie grusligen Kammerchorminiatur im 3/4-Takt ist eine Hommage an Alban Bergs Wozzeck, der mit der Zeile 'Ein schöner Mord, ein guter Mord' direkt zit...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

The sea has always been a place of longing for many people. Moving events and moods are associated with it. Burkhard Blady, who lives near the sea himself, has captured these moods and used them to co...

Freedom Blues, written by Pam Wedgwood for Advanced Piano Solo, taken from After Hours: On My Travels.

Suitcase Blues, composed by Hersal Thomas and transcribed by Brian Priestley, as performed by Albert Ammons, arranged for piano solo with guitar chords.