Intermediate Sheet Music Downloads (PDF)
Oboe & Piano.
- Oboe and Piano
- Piano Score and Part(s) Download
- Editions Marc Reift
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- Oboe and Piano
- Piano Score and Part(s) Download
- Michal Worek
- Editions Marc Reift
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> The tried-and-tested content of the complete edition volumes now in affordable soft-cover scores > Forewords in German and now also in English How practical! Towering masterpieces of choral music hi...
> The tried-and-tested content of the complete edition volumes now in affordable soft-cover scores > Forewords in German and now also in English How practical! Towering masterpieces of choral music hi...
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The Missa brevis KV 140 (Anh. 235d) occupies a special position in that it approaches the type of pastoral mass no longer represented in Mozart's other mass works. Like in no other setting of the Ordi...
The Missa brevis KV 140 (Anh. 235d) occupies a special position in that it approaches the type of pastoral mass no longer represented in Mozart's other mass works. Like in no other setting of the Ordi...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
The "Missa in C" K. 167 is the only mass by Mozart to bear a dedication in its title: "Missa in honorem SS:mae Trinitatis". The work is therefore linked to a specific occasion, which has not yet been...
- Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in the brevis form and was therefore also labeled as such on the cover of the antho...
Mozart's "Missa in C" K. 258 cannot be clearly dated, but was probably composed around 1775/76. The mass is composed in the brevis form and was therefore also labeled as such on the cover of the antho...
- 4 Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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When Anton Theodor Count Colloredo-Mels and Wallsee was consecrated Archbishop of Olomouc in 1778, the Prince Archbishop left the choice of music to the Kapellmeister Leopold Mozart. The choice fell o...
When Anton Theodor Count Colloredo-Mels and Wallsee was consecrated Archbishop of Olomouc in 1778, the Prince Archbishop left the choice of music to the Kapellmeister Leopold Mozart. The choice fell o...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Klavierauszug nach der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Klavierauszug
Klavierauszug nach der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Klavierauszug
- Mixed Choir (SATB) and Orchestra
- Piano Reduction Download
- Martin Focke
- Bärenreiter Verlag
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Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...
Wolfgang Amadeus Mozart's "Missa in C" K. 257 has been given many nicknames throughout its history. Known as the "Great Credo Mass", Leopold Mozart referred to it as the "Missa longa" due to its lengt...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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In January 1779, Mozart took up his new post as court organist in Salzburg, which required him to compose a series of church works. The autograph of his "Missa in C" K. 317, which has been known as th...
In January 1779, Mozart took up his new post as court organist in Salzburg, which required him to compose a series of church works. The autograph of his "Missa in C" K. 317, which has been known as th...
- Mixed Choir (SATB) and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...
Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...
- High Voice, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe
- Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...
The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...
- High Voice, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...
The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...
- High Voice, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...
The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...
- 4 Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...
In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...
- High Voice, Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...
2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...
- 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
- Score (Urtext) Download
- Bärenreiter Verlag
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The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...
The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...
- Soloists, Mixed Choir (SATB), Organ and Orchestra
- Score (Urtext) Download
- Bärenreiter Verlag
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The "Sparrow Mass" in an arrangement for women's choir The "Missa in C" KV 220 has established a firm place in the repertoire of many choirs to this day. The so-called "Sparrow Mass", which owes its n...
The "Sparrow Mass" in an arrangement for women's choir The "Missa in C" KV 220 has established a firm place in the repertoire of many choirs to this day. The so-called "Sparrow Mass", which owes its n...
- Soloists, Female Choir (SMezAA) and Orchestra
- Score Download
- Heribert Breuer
- Bärenreiter Verlag
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Mendelssohn's first large orchestral psalm took almost six years to compose, from the first sketches to the first version of 1830 to the final version of 1835. The work was not premiered until 1838 in...
Mendelssohn's first large orchestral psalm took almost six years to compose, from the first sketches to the first version of 1830 to the final version of 1835. The work was not premiered until 1838 in...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Felix Mendelssohn Bartholdy
- Bärenreiter Verlag
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Luminous rays emanated from the 'Messe de sainte Cécile'. At first one was dazzled, then enchanted, then overwhelmed. This is how the composer Camille Saint-Saëns describes the impression that Charles...
Luminous rays emanated from the 'Messe de sainte Cécile'. At first one was dazzled, then enchanted, then overwhelmed. This is how the composer Camille Saint-Saëns describes the impression that Charles...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Carus-Verlag
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