Intermediate Sheet Music for Cello
Originalwerke der Frühklassik
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The Hungarian composer István Szelényi (1904 - 1972), a student of Kodály, originally wrote Aria for cello or clarinet and piano. Subsequently the solo part has been transcribed for violin (arranged b...
The Hungarian composer István Szelényi (1904 - 1972), a student of Kodály, originally wrote Aria for cello or clarinet and piano. Subsequently the solo part has been transcribed for violin (arranged b...
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The edition is part of the Trinity syllabus 2007 (grade 8).
The edition is part of the Trinity syllabus 2007 (grade 8).
- Cello and Piano
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- David Geringas
- Anton J. Benjamin
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The edition is part of the ABRSM syllabus (grade 7).
The edition is part of the ABRSM syllabus (grade 7).
- Cello and Piano
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- David Geringas
- Anton J. Benjamin
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- Cello and Piano
- Sheet Music
- Colette Mourey
- Editions Marc Reift
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- Cello and Piano
- Sheet Music
- Colette Mourey
- Editions Marc Reift
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- Cello and Piano
- Piano Score and Part(s)
- Ted Barclay
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- Cello and Piano
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- Ted Barclay
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- Cello and Piano
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- Klemens Schnorr
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- Cello and Piano
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- John Glenesk Mortimer
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- John Glenesk Mortimer
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Violoncello & Piano.
- Cello and Piano
- Piano Score and Part(s)
- Michal Worek
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Violoncello & Piano.
- Cello and Piano
- Piano Score and Part(s)
- Michal Worek
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Violoncello & Piano.
- Cello and Piano
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- Michal Worek
- Editions Marc Reift
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- Cello and Piano
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- John Glenesk Mortimer
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- Michal Worek
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The concerto (QV 5: Anh. 14) by Johann Joachim Quantz demonstrates the fine elegance of the gallant style of the mid-18th century. Quantz, a virtuoso flautist and one of the most important music theor...
The concerto (QV 5: Anh. 14) by Johann Joachim Quantz demonstrates the fine elegance of the gallant style of the mid-18th century. Quantz, a virtuoso flautist and one of the most important music theor...
- Cello and Piano
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- Colette Mourey
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The concerto (QV 5: Anh. 14) by Johann Joachim Quantz demonstrates the fine elegance of the gallant style of the mid-18th century. Quantz, a virtuoso flautist and one of the most important music theor...
The concerto (QV 5: Anh. 14) by Johann Joachim Quantz demonstrates the fine elegance of the gallant style of the mid-18th century. Quantz, a virtuoso flautist and one of the most important music theor...
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- Colette Mourey
- Editions Marc Reift
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
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- Colette Mourey
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
- Cello and Piano
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- Colette Mourey
- Editions Marc Reift
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
- Cello and Piano
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- Colette Mourey
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
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- Colette Mourey
- Editions Marc Reift
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Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
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- Colette Mourey
- Editions Marc Reift
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Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
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- Colette Mourey
- Editions Marc Reift
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Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
- Cello and Piano
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- Colette Mourey
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