Intermediate Sheet Music for Cello

Die Unbekanntheit dieses wunderbaren Zyklus kontrastiert seltsam mit der Berühmtheit seiner letzten Nummer, den Larmes de Jacqueline (Tränen Jacquelines), die tatsächlich zu den schönsten melodischen...

With these demanding romantic performance pieces for violoncello and piano, Belaieff starts a new series in which 'hidden treasures' from the publisher's archives, i.e. works by Russian composers whic...

Another volume in Christopher Norton's Concert Collection series. Stunning music for solo violoncello and piano for intermediate to advanced-level players, from the creator of Microjazz: fifteen enter...

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and...

After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...

Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

In 1972 Nino Rota composed his Cello Concerto No. 1; the actual date of the world premiere, however, remains unknown today. In contrast to his Cello Concerto No. 2, he refers here to the late Romantic...

The 'Song of Songs' or 'Song of Solomon' addressed to Sulamith and ascribed to Solomon is one of the most mysterious texts of the Bible. If the character of Solomon itself is enigmatic, the character...

The fourth volume in this series of female composers is dedicated to works of the 19th and 20th century. The pieces by Violetta Dinescu, Caroline Ansink, Myriam Marbe and Lucie Robert-Diessel have bee...

As recorded by Julian Lloyd-Webber on his album 'Cradle Song'.

The sixth installment of Sotelo's series of Muros de dolor focuses on the cello and its minutest possibilities. He explores the micro world in tones and intervals, along with soaring passages, to brin...

Alexander Rosenblatt, born in Moscow in 1956, completed his piano and composition studies at the renowned conservatoire of his home town. In his compositions, he combines classical elements with jazz...

The "Sonata-Fantasy" for violoncello and piano by Alexander Rosenblatt combines classical form with jazz elements.

The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a...