Intermediate Sheet Music for Cello

David Popper's Hungarian Rhapsody Op.68 for Cello with Piano accompaniment.

After the great success of his Élégie (HN 563), Fauré's publisher Hamelle urged him to write another, similarly effective piece for cello and piano. Papillon was probably already composed in 1884, tho...

After the first cello sonata of 1872 (HN 1057) quickly became popular, the publisher kept urging the composition of a second sonata for this instrumentation. But it was not until March 1905, in the mi...

Immediately after finishing his second Violin Sonata op. 108, Fauré started work on a sonata for cello and piano in early 1917, thus realising a long-conceived plan. In their predisposition and attitu...

In contrast to the first cello sonata (HN1357) composed four years earlier, this substantially more catchy and playful second sonata enjoyed great success with audiences and critics right from the sta...

A short while ago Henle issued Mendelssohn's second Violoncello Sonata, op. 58. Now the first Sonata, op. 45, is available for the first time as Urtext edition with a flawless music text. A preface an...

Chopin composed several works for cello, influenced by his friend the famous cellist Auguste Franchomme; the Grand Duo Concertant, an opera paraphrase on Meyerbeer's 'Robert le Diable,' is among them....

Robert Schumann wrote his Fantasy pieces op. 73 originally for clarinet and piano. The first edition of Schumann's Fantasy Pieces op. 73 published in July 1849 contained not only a clarinet part but a...

Rubato - Ostinato - Fugato sind die drei Sätze von Simon Laks' Dialogue für zwei Violoncelli betitelt. 1964 komponiert und 1966 von Jean und Mireille Réculard im Pariser Château de Saint Ouen uraufgef...

The only work still known today by Noack, 'Heinzelmännchens Wachtparade' [Parade of the Brownies] Op. 5 was called a 'character piece' by the composer himself, and this 'marche en miniature' conveys w...

Ursprünglich für den International Cello Congress 2005, 1000 Cellists Concert, komponiert, kann das einsätzige Stück auch von Amateuren gespielt werden. Diesem Anspruch der leichteren Spielbarkeit und...

Die Unbekanntheit dieses wunderbaren Zyklus kontrastiert seltsam mit der Berühmtheit seiner letzten Nummer, den Larmes de Jacqueline (Tränen Jacquelines), die tatsächlich zu den schönsten melodischen...

With these demanding romantic performance pieces for violoncello and piano, Belaieff starts a new series in which 'hidden treasures' from the publisher's archives, i.e. works by Russian composers whic...

Another volume in Christopher Norton's Concert Collection series. Stunning music for solo violoncello and piano for intermediate to advanced-level players, from the creator of Microjazz: fifteen enter...

Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...

Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians.Edition Schott ranges from Renaissance to Contemporar...

As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fü...

'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and...

After 'Jazz Suite' for solo violoncello (Schott, CB 224), the Italian cellist and jazz musician Lucio Amanti explores the possibilities of jazz music on the cello in this sonata with piano accompanime...

Of the compositions by Goltermann, who was a sought-after composer in the 19th century, it is particularly his cello concertos that are still remembered today and which, in his day, in some cases went...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...

Nikolai Kapustin's (*1937) tonal language is somewhere in between modern and jazz music. In his compositions, he takes great delight in combining jazz elements with classical structures. His sonatas f...