Intermediate Sheet Music for Clarinet

Nachdem sie Ende der 1940er und Anfang der 1950er Jahre privat bei Roger Sessions, Jerzy Fitelberg und Erich ltor Kahn studiert hatte, legte Ursula Mamlok 1957 ihren Master of Music im Fach Kompositio...

Nachdem sie Ende der 1940er und Anfang der 1950er Jahre privat bei Roger Sessions, Jerzy Fitelberg und Erich ltor Kahn studiert hatte, legte Ursula Mamlok 1957 ihren Master of Music im Fach Kompositio...

Dieses Stück schrieb Elena Kats-Chernin im Auftrag einer guten Freundin als Geburtstagsüberraschung und Liebesgabe für deren Ehemann Tom. Die einzigen Vorgaben für die Komposition waren: eine Dauer vo...

Ursula Mamlok hat in ihren Werken die Schoa nicht thematisiert. Eine Ausnahme bildet der Rückblick für Saxophon und Klavier, den sie 2002 im Auftrag der Temple University zur Erinnerung an die Reichsp...

If Khatchaturian had written ONLY the Saber Dance, he would have had a very successful career. Composed as a movement of the 1942 ballet Gayane, the Saber Dance took the U.S.A. by storm in 1948 (3 dif...

Blik [Gleam] is a work by Icelandic composer Askell Masson, inspired by and written in 1979 for clarinet virtuoso Einar Johannesson. The six minute long piece covers the complete range of the instrume...

Blik [Gleam] is a work by Icelandic composer Askell Masson, inspired by and written in 1979 for clarinet virtuoso Einar Johannesson. The six minute long piece covers the complete range of the instrume...

The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...

The Sonatina's three movements are played without a break. The opening Andante is a dark, slow waltz - a spectre, perhaps, of old Vienna - with its tightly coiled motifs leading to a more lyrical, med...

These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...

These 3 Bagatelles, for clarinet alone, by Icelandic composer Askell Masson, are a study of contrasts involving a wide range of dynamics while utilizing the full range of the clarinet. Quest, the firs...

Dez a fio' in Portuguese, is a linguistic expression which means 'a sequence of 10 things'. In the context of this work, this idea is reflected in formal structure, or, in other words, this work is th...

Dez a fio' in Portuguese, is a linguistic expression which means 'a sequence of 10 things'. In the context of this work, this idea is reflected in formal structure, or, in other words, this work is th...

The Sonata for clarinet and piano represents my inner feelings and personal perception of the evolution of the world. It was my intention to use modern musical language to express these very strong pe...

I chose Solissimo as a general title for a series of works for unaccompanied instruments. The first part of Solissimo III for clarinet alone - Lento - was written in the form of a passacaglia. A low t...

I chose Solissimo as a general title for a series of works for unaccompanied instruments. The first part of Solissimo III for clarinet alone - Lento - was written in the form of a passacaglia. A low t...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...

As a booster of contemporary music, it has always been my personal credo to premiere a composition at my concerts. When the Lincoln Center for the Performing Arts (NYC) asked me to perform a series of...

My deliberate and extensive studies of the musical repertoire of the first half of the 19th century over many years has enabled me to become familiar with the structures and writing techniques of that...