Intermediate Sheet Music for Jazz Ensemble and Big Band

I Remember Clifford, arranged by Erik Morales features a gorgeous flugelhorn in the ballad style with a brief double time section. Played around 70 BPM, the trumpet 2 flugel solo is all written out wi...

A wonderful ballad for the solo vocalist written in two keys for flexibility. Arranger Dave Wolpe, one of the best in the business, has written this swing ballad in G minor and C minor with reversible...

Metheny's ballads are beautiful and haunting. This melody is the title track from the GRAMMY AWARD winning recording. The featured solo is for piano and guitar. The entire piece is written out; no imp...

A shuffle at 166 BPM, this is a feature for two tenor saxes - not a duel, but a vehicle to showcase both your tenor players. Sample solos are provided, and the lead trumpet range is to written high C-...

This huge hit from Diana Ross is sure to be a show-stopper for your vocal soloist. Powerfully scored for the band this chart also features the trademark spoken sections.

A very hip, funky groove chart played around 168 BPM and loaded with the classic Goodwin flair. Plus, sample solos are provided for C instruments, E-flat alto/bari, B-flat tenor, B-flat trumpet, and t...

Originally composed for the 1935 movie Top Hat starring Fred Astaire and Ginger Rogers, this classic has remained a jazz favorite ever since. Arranged in a very comfortable key for female vocalists, t...

This standard tune from 1945 has consistently remained a favorite with jazz musicians. Featuring a timeless melody, beautifully scored background parts, and a medium swing style, this standout chart f...

Warm brass pads, beautiful orchestrations including, bucket muted trumpets, guitar, and vibes and lush sax scoring set the backdrop for this beautiful arrangement of the classic song that is the perfe...

Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, spac...

An exciting jazz waltz that swings all the way! The melody is stated by tenor and trombone moving into two solo sections: trombone 1 and trumpet 2, then alto 1 and tenor 1 followed by a drum solo. An...

Originally composed for the 1935 movie Top Hat starring Fred Astaire and Ginger Rogers, this classic has remained a jazz favorite ever since. Arranged in a very comfortable key for female vocalists, t...

Arranged in a medium tempo Bossa style, this standard is a natural for vocalists. Jerry's smooth arrangement includes nice accompaniment lines as well as a feature section for the full ensemble.

Smooth bossa nova sophistication describe this classy chart. With its lyrical melodic style and terrific-sounding band accompaniment, this is truly a standout feature for a vocal soloist.

Grade 3-4. (Nowak) Bb

Freddie Hubbards Jazzstandard in einer coolen Samba-Version mit ausgeschriebenen Soli für Trompete und Tenorsaxophon und viel Arbeit für Ihren Schlagzeuger.

Noten für Big Band mit Gesang von 'Beyond The Sea' arrangiert von Jerry Nowak.

This clever and catchy jazz standard has been recorded notably by Diana Krall, but also by Nat King Cole and Louis Armstrong. Arranged in a comfortable swing style this is a terrific feature for vocal...

Recorded by countless jazz artists through the years (including three times by Frank Sinatra), this song features a classic melody and an easy-going medium swing style. Nicely scored here for big band...

This Ellington classic is one of the best swing tunes ever written. This makes an outstanding vocal feature, yet your band will have a great time with it as well.

Comfortable for just about any singer, Jerry's swingin' chart on this classy jazz standard is a perfect addition to any program.

Recorded by many artists (including James Taylor) Mark's version for vocal soloist is written in a medium swing style with a moderate vocal range, and features well-written background figures.

One of the great torch songs of all time, here is a medium swing version of Cry Me a River with a bluesy edge. This one will be fun to perform!

One of Peggy Lee's first recorded hits with the Benny Goodman Orchestra was this bluesy swing tune. The vocal part is not that difficult and Jerry's accompaniment works great.