Intermediate Sheet Music for Jazz Ensemble and Big Band

The vibrant Tito Puente salsa (mambo) version from the album Party with Puente, CCD-4924-2, extended for full big band by Shaun Byrne. Solos for 1st tenor and 2nd trumpet. Key G minor. Taken down a Mi...

This often recorded standard is expertly arranged by George Stone in a medium swing style. Filled with creative harmonies and soaring ensemble figures, this is truly an outstanding choice for contest...

Hey! Ba Ba Re Bop! was performed by Tex Beneke, both while fronting the post-war Miller band, and with his own outfit. In many ways this chart was a portent of things to come, and brifges the gap betw...

Here is the Glenn Miller Orchestra's take on the US Navy song 'Anchors Aweigh'. It's up-tempo and bouncy, with a driving rhythmic feel. Alto 1 doubles Clarinet (and takes the Clarinet solo). Trumpet 2...

This vocal chart is based around Nina Simone's great version. This chart works well even if played by Vocal and Rhythm section only. The Piano part is mostly written out.

This is the Basie Band doing what it did best - Swinging The Blues. An up tempo chart that swings from beginning to end, with solo space for Trumpet, both Tenors, Piano and Drums. All solos and the Pi...

A great swing chart from the pen of Louis Bellson, Skin Deep opens with a big half-time fanfare and them breaks into up-tempo swing. The Saxes lead the first chorus and the brass are loud and punchy b...

Flight of the Foo Birds is one of the great tracks from the Basie band of the 1950's, and one of a series done for the band by Neal Hefti, to be found on The Atomic Mr Basie album. This is a transcrip...

A fine Sy Oliver composition for the Tommy Dorsey orchestra, Yes Indeed is a 'swing spiritual' which Sy Oliver originally sang with the band. Dorsey recorded the chart a few times in a couple of keys,...

When a world-famous pop classic meets legendary big band craftsmanship, pure musical magic is born: With "Don't Lose My Number," iconic arranger Sammy Nestico has transformed Phil Collins' mega-hit in...

Bring pure swing charm and world-class entertainment to the stage! With "My Kind Of Girl," Powerhouse Orchestrations presents the infectious, dynamic mid-tempo hit from the acclaimed 2016 album "Nobod...

Glenn Miller. Big Band Instrumental. This can still sound as fresh as ever, with its 12 bar blues sequence theme and linking eight bar sections. The original solos are written out but there is ample s...

Bass trombone feature on this old Christmas standard. This is a medium swing version featuring the bass bone all the way through the chart. Lead trumpet to high E. As recorded by the Tom Kubis Big Ban...

I'm Beginning To See The Light is a popular tune, recorded by most of the great vocalists. Our offering here is the Harry James version originally sung by Kitty Kallen. The chart is unusual in that it...

Stardust is one of the great Hoagy Carmichael tunes, and deserves a place in the library of every band. Bob Martin has done a truly excellent job of transcription and modification of this Ted Heath ve...

This chart of Night and Day is transcribed and adapted from Artie Shaw's April 1937 RCA session, the original arrangement being penned by Jerry Gray. The band then consisted of 5 Brass, 4 Reeds, 4 Rhy...

This version of I Know Why is taken from the film 'Sun Valley Serenade' and includes an additional instrumental chorus not found in the earlier Miller recorded version. A lovely vocal ballad, scored f...

From the Natalie Cole album 'Unforgetable With Love'. A particularly fine medium groove Ralph Burns arrangement in the classic relaxed 'Basie' style-the perfect combination of singer and big band.Key...

Calling all male vocalists! Clementine is simply great fun. This Bobby Darin version is in a similar style to his more well known Mack the Knife, with successive half-step modulations, and a band back...

Fans of Louis Jordan will instantly recognize this title, and our arrangement is equally singable by most male or female singers. The rhythm section starts it off, and the trumpets blow the dirty 'wah...

Tenor sax ballad feature. Intensity & sensitivity go hand in hand. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

'Cold Duck Time' is an exciting chart from the first note! This one has a straight-eighth groove at 120 BPM with a written tenor solo. The lead trumpet range is to written C above the staff. Includes...