Intermediate Sheet Music for Jazz Ensemble and Big Band

From Composer Ron Jones: 'Level: Advanced level 6 Highest Lead Trumpet note: Written E above high C Winds of Change is a jazz-waltz with a tempo of a dotted half=205 BPM. When I conduct the piece with...

Driving Rock chart. A deceptively slow and pretty intro explodes into a burning rock beat. Chart builds and climaxes in a duel between soloists.

Trombone feature with a Rock and Roll groove and a quasi-Latin feel. Demanding chord changes for the Trombone soloist. Altos double on flute.

This chart exhibits the rhythmic excitement a real samba can evoke. Open solos. Sax doubles. As recorded by the Bill Watrous Big Band on Space Available. See master Otter CD catalog.

A driving funk tune with 'meaty' changes for any of your best solists to play on. This will get them off their feet.

Features strong solo guitar throughout, starting with a bluesy rubato statement of the theme, followed by a burning gospel rock groove.

If you're feeling like a little '70's nostalgia, dial up this challenging opus, where the big band genre meets John Travolta. Just think, rap music will sound like this someday.

Your soprano sax soloist will enjoy this pretty song, a shuffly rock ballad with a kind of Al Jarreau feel.

Written for, and in the sytle of the late pianist Bill Evans, this jazz waltz pleases with it's lyrical melody and intersting chord progression. Features a sax soli with soprano lead. Can feature any...

Delicate jazz waltz written for Bill Evans. Some Dbls. No score. Scored for A,T,B. 2 Trpts, 1 Bone & Rhy.

Open drum solo leads back to the head. Buoyant samba ala 'St. Thomas'. No score. Scored for S,T,B, 2 Trpts, 1 Bone & Rhy.

Your band will schmooze it's way through a sassy melodic line while the rhythm cooks up a laid back jazz-rock shuffle. No score. Scored for A,T,B, 2 Trpts, 1 Bone & Rhy.

Slow blues. Features Piano solo. Guitar solo & an open solo section. Trpt written to high D, No Dbls.

High energy, happy Funky/Hip Hop that sounds much harder that the written parts. Simple, contemporary changes make solos a breeze.

After mastering lessons and skills learned in the previous volumes, Volume 4 teaches the popular ii-V-I progression in three settings. Students use learned skills for a ii-V-I progression (Cmi9-F9-BbM...

Med. tempo 12 bar Blues in C written in a 'Classic' Count Basie style that can get your band in a groove quickly.

This arrangement of Gerry Niewoods tribute to Coltrane and his modal style features an alto (or tenor) soloist in addition to a full sax section. Other soloists could include trombone or rhythm. The b...

This unusual big band chart is a somber, introspective hymn with a Spanish flavor, drawing influences from David Sanborn, Gil Evans, and classical styles. Saxes need to double on flute or clarinet. An...

Concept music. Up-tempo w/intricate lines & hot ens passages. Trpt & Tenor solos. Scored for A,T,B, 2 Trpts, 1 Bone & Rhy. Concept Music series.

Gospel flavor blues. Unique tribute to Charles Mingus. Scored for A,T,B, 2 Trpts, 1 Bone & Rhy.

Trombone choir opens, simple/well orchestrated ballad. Tenor feature. Some sax doubles.

It's our beloved National Anthem, by everyone except those that are called upon to sing it. Yet, here's an arrangement that works with band alone, add a vocal soloist or even a choir.The music helps p...