Intermediate Sheet Music for Mallets

An exceptionally exciting, majestic arrangement by our beloved Betty B. Garee; incorporates Aus Tiefer Not; offers opportunity for the advanced ringers to ring creatively and musically while finding a...

Flowing, harmonically rich setting that incorporates He Never Said a Mumbalin' Word; accompaniment incorporating sixteenth notes that demand precision and musicianship; useful for general worship serv...

A very intentional 'Homage to Brubeck' this setting by Sondra Tucker captures the smooth jazz flavor so characteristic of his sound. The mellow harmonies give way to a gentle swing in the middle secti...

Bursting with dynamic vitality, this exciting setting combines the hymn tunes CRUCIFER and ST. MICHAEL most commonly paired with the hymn texts 'Lift High the Cross' and 'Stand Up and Bless the Lord!'...

Opening with a motive based on the first three notes of the melody, this dynamic setting will be a welcome addition to any worship, concert, or festival experience. The arrangement starts swift but bu...

This classic jazz standard soars to new heights in this dynamic fresh setting. The addition of the synth part, along with percussion, will leave the audience dancing in the aisles. Commissioned by Jen...

Level IV - Marimba or Xylophone and Piano.

Diese Methode ist für die ersten Jahre des Spielens mit vier Stäben gedacht. Sie ist in vier Teile gegliedert, deren Niveau und Schwierigkeitsgrad jeweils progressiv sind und sich gegenseitig ergänzen...

This grade 4 two-mallet solo with piano accompaniment has beautiful harmonies and a poignant musical message. The challenges for the mallet player include double stop rolls, arpeggiated patterns, and...

Musical density. Mind-blowing energy. Extraordinary dizziness magically whisks us off to the very boundaries of audible perception. And then, nothing. Nothing. Intense silence. But still the feeling o...

Selections include

Atsuhiko Gondai has researched musical space as a rite grounded in Catholic religious belief. wood still says nothing named by the passage from the poem written by Kim Chi-ha (Korean Christian poet).

A single movement contest solo for marimba written in the style of a minuet.

This intermediate to advanced mallet solo features shifting accents over a 'perpetual motion' sixteenth note pulse in the opening and closing sections. A more lyrical Adagio middle section employs rol...

Originally written by Handel for violin and continuo (HWV 370), this edition has been arranged by Linda Maxey for marimba solo with piano accompaniment.