Intermediate Sheet Music for Mixed Choir

Taken from the Nutcracker and arranged for SSSSAATTBB choir by Leo Hussain and Ralph Allwood.

Work for SSAATTBB Choir (Mixed Voices). English Version provided.

The setting of a blissfully pastoral text by Henry King, written for SAATB chorus by Richard Rodney Bennett.

However often Bennett may have employed serial techniques or introduced jazz and modern elements into his work, his Choral compositions are always tonal and melodic. In A Farewell To Arms he displays...

For SSAATTBB Choir.

Commissioned by the BBC for the BBC Proms. First performance given by the BBC Symphony Chorus, conducted by Stephen Jackson, at the Albert Hall on August 5th, 2007.

Sequence for SATB Choir. Words adapted from the 'Worcester Fragments'.

A Choral Suite in eight movements for SATB (multi divisi). The texts are taken from different sources, including Chuang Tse, an Acoman Indian and a poem written by a young Czech victim of Auschwitz.

A Setting of The Order for Holy Communion (Rite A) from the Alternative Service Book 1980. Commissioned by the Norwich Festival of Contemporary Church Music. For SSAATTBB Choir.

Commissioned by Daniel Hyde and the Choir of Jesus College, Cambridge, and first performed at Evensong on 20th May 2007. Text taken from Job xix, vv25-27.

Arranged fpr SSAATTBB by Rene Clausen.

Work for SATB Chorus or SA Chorus and Percussion ad lib.

The 1964 setting for mixed chorus by John McCabe.

Written for SATB chorus, this is John McCabe's setting of a text by Thomas Hardy, celebrating the songbirds of England and the birth/rebirth of life itself. A Piano accompaniment is provided for rehea...

Leighton's setting of The Christ Child Lay In Mary's Lap is taken from A World's Desire - a Sequence for Epiphany, and written for Soprano Solo and SATB chorus.

From Three Carols Op. 25 for SATB Choir. Text by Robert Herrick.

From 3 Carols Op. 25 for SATB choir. Text by Robert Herrick.

A celebratory anthem of love and unification, with an anonymous text set for two SSATB choruses with three Soprano soloists. A Piano accompaniment is provided for rehearsal purposes.

Alternatively titled by first line 'When to the temple Mary went'. Translated from the German by the Rev J. Troutbeck.

Morley's early-Renaissance setting of the Magnificat And Nunc Dimittis alternates between the unison lines based upon Gregorian tones, and an SATB chorale-style texture. Edited by Francis Burgess and...