Intermediate Sheet Music for Mixed Ensemble
With "Auf dem Strom" D 943 (op. post. 119), Franz Schubert created a deeply moving late masterpiece of incomparable poetry and sonic beauty just months before his death. This extraordinary work for vo...
With "Auf dem Strom" D 943 (op. post. 119), Franz Schubert created a deeply moving late masterpiece of incomparable poetry and sonic beauty just months before his death. This extraordinary work for vo...
- Voice, Horn and Piano
- Piano Score and Part(s)
- Bärenreiter Verlag
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Streicher- und Flötenquartett-Fassung. Ausgabe für die Praxis nach dem Urtext der Telemann-Werkausgabe. Violine 1/ Flöte, Violine 2, Viola, Basso continuo - Partitur; Stimmensatz; Urtextausgabe
Streicher- und Flötenquartett-Fassung. Ausgabe für die Praxis nach dem Urtext der Telemann-Werkausgabe. Violine 1/ Flöte, Violine 2, Viola, Basso continuo - Partitur; Stimmensatz; Urtextausgabe
- 2 Violins, Viola and Continuo
- Sheet Music (Urtext)
- Bärenreiter Verlag
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Experience the unmistakable charm of the Viennese Classical period with Joseph Haydn's celebrated "London Trios" Hob. IV/1-4. Composed during Haydn's second stay in London, these masterly chamber musi...
Experience the unmistakable charm of the Viennese Classical period with Joseph Haydn's celebrated "London Trios" Hob. IV/1-4. Composed during Haydn's second stay in London, these masterly chamber musi...
- 2 Flutes and Cello
- Set of Parts
- Bärenreiter Verlag
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Festlicher Chor. Schlusssatz der Hymne an die heilige Cäcilie. Gemischter Chor-SATB, Klavier/ Orgel/ Trompete (2), Posaune (2) - Partitur; Chorpartitur
Festlicher Chor. Schlusssatz der Hymne an die heilige Cäcilie. Gemischter Chor-SATB, Klavier/ Orgel/ Trompete (2), Posaune (2) - Partitur; Chorpartitur
- Mixed Choir (SATB), 2 Trumpets and 2 Trombones
- Score
- Bärenreiter Verlag
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> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...
> First ever publication of this arrangement > Includes a separate solo part as was customary in Beethoven's day > Provides new possibilities for soloists to perform this work This anonymous sextet ar...
- Piano, 2 Violins, 2 Violas and Cello
- Score and Parts (Urtext)
- Bärenreiter Verlag
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Josef Suks (1874-1935) Klavierquartett wurde schnell zu einem Standardwerk, nicht zuletzt durch die ausgedehnten Konzerttätigkeiten des berühmten Böhmischen Quartetts, in dem Suk zweiter Geiger war. D...
Josef Suks (1874-1935) Klavierquartett wurde schnell zu einem Standardwerk, nicht zuletzt durch die ausgedehnten Konzerttätigkeiten des berühmten Böhmischen Quartetts, in dem Suk zweiter Geiger war. D...
- Piano, Violin, Viola and Cello
- Score and Parts (Urtext)
- Bärenreiter Verlag
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> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...
> New detailed Foreword (Eng/Cz/Ger) by Dvorák scholar David R. Beveridge<br>> Critical Commentary (Eng) by the editor Robin Tait<br><br>Dvorák’s Piano Quartet in D major, thou...
- Violin, Viola, Cello and Piano
- Piano Score and Part(s)
- Bärenreiter Verlag
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> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...
> Standard work from the chamber music repertoire > Newly engraved violoncello part > New Foreword by David R. Beveridge (Eng/Cz/Ger) Dvorák's 'Trio in B-flat major' op. 21, the first of his four work...
- Piano, Violin and Cello
- Score and Parts
- Bärenreiter Verlag
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Composer's note: 'In 2000 I wrote a piece called Sand Waltz for the Canberra Wind Players. In the middle of it I wrote a four-chord progression. When I started working on the ballet Wild Swans (2003)...
Composer's note: 'In 2000 I wrote a piece called Sand Waltz for the Canberra Wind Players. In the middle of it I wrote a four-chord progression. When I started working on the ballet Wild Swans (2003)...
- Violin, Cello and Piano
- Score and Parts
- Bote & Bock
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Flute and Cello
- Score and Parts
- Bote & Bock
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Violin, Viola, Cello, Double Bass and Piano
- Piano Score
- Bote & Bock
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The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for s...
- Violin, Viola, Cello, Double Bass and Piano
- Set of Parts - String Instruments
- Bote & Bock
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- Flute, Clarinet, Bassoon and Piano
- Piano Score and Part(s)
- Editions Bim
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- Flute, Clarinet, Bassoon and Piano
- Piano Score and Part(s) Download
- Editions Bim
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Composed in 1969 for Janet and Gilbert Norwood, *Elegy* for soprano, clarinet (or oboe), and piano is a setting of a poem by the American poet Thomas S. Jones Jr. (1882–1932). The approximately three-...
Composed in 1969 for Janet and Gilbert Norwood, *Elegy* for soprano, clarinet (or oboe), and piano is a setting of a poem by the American poet Thomas S. Jones Jr. (1882–1932). The approximately three-...
- Voice (high), Clarinet and Piano
- Piano Score and Part(s)
- Editions Marc Reift
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Composed in 1969 for Janet and Gilbert Norwood, *Elegy* for soprano, clarinet (or oboe), and piano is a setting of a poem by the American poet Thomas S. Jones Jr. (1882–1932). The approximately three-...
Composed in 1969 for Janet and Gilbert Norwood, *Elegy* for soprano, clarinet (or oboe), and piano is a setting of a poem by the American poet Thomas S. Jones Jr. (1882–1932). The approximately three-...
- Voice (high), Clarinet and Piano
- Piano Score and Part(s) Download
- Editions Marc Reift
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immediately available | Download immediately after ordering
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An oriental atmosphere pervades this work. The cattle-drivers slowly approach the market; the cries of beggars are heard across the bustle. The beautiful princess enters carried by her servants - she...
An oriental atmosphere pervades this work. The cattle-drivers slowly approach the market; the cries of beggars are heard across the bustle. The beautiful princess enters carried by her servants - she...
- Recorder (SATB), Mallets and Percussion
- Score and Parts
- Albrecht Rosenstengel
- Bosworth Music
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In his desire to broaden the repertoire for fellow flutists, Robert Stallman has developed a special gift for transcribing works of Great composers such as Bach, Mozart, Dvo?ák, Rossini, and others fo...
In his desire to broaden the repertoire for fellow flutists, Robert Stallman has developed a special gift for transcribing works of Great composers such as Bach, Mozart, Dvo?ák, Rossini, and others fo...
- Flute, 2 Violins, Viola, Double Bass and Continuo
- Score and Parts
- Robert Stallman
- Carl Fischer
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This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.
This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.
- 2 Alto Recorders, 2 Oboes, 2 Violins and Continuo
- Additional Parts - Strings
- Schott Musik
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Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
- 3 Oboes, 2 Violins, Viola and Continuo
- Score
- Schott Musik
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Stimmensatz - 2 Trompeten I/II, 2 Posaunen (Trompete III), 4 Violinen I/II/III, 4 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blech...
Stimmensatz - 2 Trompeten I/II, 2 Posaunen (Trompete III), 4 Violinen I/II/III, 4 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blech...
- Ensemble
- Set of Parts
- Schott Musik
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Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...
Streicher-Ergänzungssatz - 2 Violinen I/II/III, 2 Violoncelli/Kontrabässe - 2 Instrumental-Gruppen (A Instrumental-Gruppe I - Streicher / Instrumental-Gruppe II - Blechblasinstrumente / B Instrumental...
- Ensemble
- Additional Parts - Strings
- Schott Musik
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Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
- Viola, Guitar and Strings
- Score
- Schott Musik
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Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
- Viola, Guitar and Strings
- Set of Parts
- Schott Musik
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- Flute, Strings and Harpsichord
- Score
- Schott Musik
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