Intermediate Sheet Music for Mixed Ensemble

ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...

ANECDOTAL ANTIDOTES was written for Whiskey, Tango, Foxtrot, a group of faculty players from The Hartt School at the University of Hartford, Hartford, Connecticut. Its members include Anton Miller, vi...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...

In Time for bass trombone, piano and percussion is a single movement, eight minute work written in 1989. Commissioned by David Titcomb, the work was inspired by the events at Tiananmen Square and is d...

El Tanguero is a very instinctive tango specially composed by Corrado Maria Saglietti for Zoltan Kiss, the hungarian trombone player, who wished to complete his CD program 'Non Stop'. The particular t...

El Tanguero is a very instinctive tango specially composed by Corrado Maria Saglietti for Zoltan Kiss, the hungarian trombone player, who wished to complete his CD program 'Non Stop'. The particular t...

It's a bright night and the sky is full of stars. In a placid atmosphere the soothing sound of the flügelhorn plays a simple and sweet melody. The piece is intentionally comfortable for the soloist an...

It's a bright night and the sky is full of stars. In a placid atmosphere the soothing sound of the flügelhorn plays a simple and sweet melody. The piece is intentionally comfortable for the soloist an...

I wrote this piece at the suggestion of my dear friend, harpist Deborah Fleisher, to whom the work is dedicated. The first movement, 'Seascape', is a free-form fantasy, suggesting, perhaps, a calm day...

I wrote this piece at the suggestion of my dear friend, harpist Deborah Fleisher, to whom the work is dedicated. The first movement, 'Seascape', is a free-form fantasy, suggesting, perhaps, a calm day...

Tuba, keyboard, viola, violoncello, bass, harp, percussion. Jim Self asked me to write a piece for him. At first, I felt there was nothing I'd less rather do than write a piece for tuba! However, I re...

Tuba, keyboard, viola, violoncello, bass, harp, percussion. Jim Self asked me to write a piece for him. At first, I felt there was nothing I'd less rather do than write a piece for tuba! However, I re...