Intermediate Sheet Music for Orchestra
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the 'Stabat Mater' in the midst of a highly productive period. In contrast with his first setting written the pr...
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the 'Stabat Mater' in the midst of a highly productive period. In contrast with his first setting written the pr...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Score
- Carus-Verlag
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ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Carus-Verlag
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-
ships within 2-5 working days
- Also available for download!
In the spring of 1816, the nineteen-year-old Franz Schubert completed his second "Stabat Mater" in the midst of a period of great productivity. In contrast to the first composition from the previous y...
In the spring of 1816, the nineteen-year-old Franz Schubert completed his second "Stabat Mater" in the midst of a period of great productivity. In contrast to the first composition from the previous y...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Piano reduction Download (Urtext)
- Carus-Verlag
-
-
immediately available
Download immediately after ordering - Instant download
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Set of Parts
- Carus-Verlag
-
-
ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1 (Urtext)
- Carus-Verlag
-
-
ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2 (Urtext)
- Carus-Verlag
-
-
ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola (Urtext)
- Carus-Verlag
-
-
ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Instrumental Parts: Cello and Double Bass (Urtext)
- Carus-Verlag
-
-
ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Set of Parts
- Carus-Verlag
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-
ships within 2-5 working days
In stylistic terms, Rolle's vocal works, and therefore also this cantata, are rooted in the Baroque tradition. However, many mannerisms and melody lines already clearly manifest the transition from hi...
In stylistic terms, Rolle's vocal works, and therefore also this cantata, are rooted in the Baroque tradition. However, many mannerisms and melody lines already clearly manifest the transition from hi...
- Soloists (ST), Mixed Choir (SATB) and Orchestra
- Piano Reduction (Urtext)
- Edition Merseburger
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ships within 3-6 working days
In stylistic terms, Rolle's vocal works, and therefore also this cantata, are rooted in the Baroque tradition. However, many mannerisms and melody lines already clearly manifest the transition from hi...
In stylistic terms, Rolle's vocal works, and therefore also this cantata, are rooted in the Baroque tradition. However, many mannerisms and melody lines already clearly manifest the transition from hi...
- Soloists (ST), Mixed Choir (SATB) and Orchestra
- Score (Urtext)
- Edition Merseburger
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-
ships within 3-6 working days
- 4 Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Study Score (Urtext)
- Bärenreiter Verlag
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in stock
ships within 1-2 working days
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
Anton Bruckner composed his first mass, the Mass in D minor, in 1864 in just four months. It was not ready in time for the Kaiser Franz Joseph I's birthday, as planned, but was first performed on 20 N...
- Soloists (SATB), Mixed Choir (SATB) and Orchestra
- Choral Score
- Carus-Verlag
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-
ships within 2-5 working days
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Choral Score
- Carus-Verlag
-
-
ships within 2-5 working days
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
Im Frühjahr 1816 vollendete der gerade neunzehnjährige Franz Schubert sein zweites 'Stabat Mater', inmitten einer Zeit höchster Produktivität. Im Gegensatz zur ersten, nur fünfminütigen Komposition au...
- Soloists (STB), Mixed Choir (SATB) and Orchestra
- Choral Score (Urtext)
- Carus-Verlag
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ships within 2-5 working days
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Organ (Urtext)
- Bärenreiter Verlag
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ships within 2-4 working days
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Violin 1 (Urtext)
- Bärenreiter Verlag
-
-
ships within 2-4 working days
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Violin 2 (Urtext)
- Bärenreiter Verlag
-
-
ships within 2-4 working days
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Part: Viola (Urtext)
- Bärenreiter Verlag
-
-
ships within 2-4 working days
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
> Urtext edition of Mendelssohn's last orchestral psalm > Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng) > Words underlaid in both German and English > Piano reduction based on the first p...
- 4 Soloists (SATB), Mixed Choir (SATB), 2 Flutes, 2 Oboes, 2 Oboes d'Amore, 2 Violins, Viola and 2 Viole da Gamba
- Instrumental Parts: Cello and Double Bass (Urtext)
- Bärenreiter Verlag
-
-
ships within 2-4 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” - this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” - this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Score Download
- Carus-Verlag
-
-
immediately available
Download immediately after ordering - Instant download
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Set of Parts - Harmony
- Carus-Verlag
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-
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 1
- Carus-Verlag
-
-
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Violin 2
- Carus-Verlag
-
-
ships within 2-5 working days
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
“Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!” – this exclamation opens the final chorus of Henry Purcell’s eponymous Ode to St. Cecilia from 1692. A paean to the power of mu...
- Soloists (SAATBB), Mixed Choir (SATB) and Orchestra
- Instrumental Part: Viola
- Carus-Verlag
-
-
ships within 2-5 working days