Intermediate Sheet Music for String Orchestra
Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. Th...
Chicharra was born out of a love for syncopated music that makes one move and dance. A rhythmic motive initiated by the viola and cello sections starts the diabolical journey of dance and lyricism. Th...
- String Orchestra
- Score and Parts
- Carl Fischer
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Bacchanale is a frantic dance full of reckless abandon. Taken from the name of the Roman god of wine Bacchus, this work is a festive celebration. It starts with lyrical melodies juxtaposed against sha...
Bacchanale is a frantic dance full of reckless abandon. Taken from the name of the Roman god of wine Bacchus, this work is a festive celebration. It starts with lyrical melodies juxtaposed against sha...
- String Orchestra
- Score and Parts
- Carl Fischer
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Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. Many of his works are known as 'pastiches,' works composed in the styles of other composers. Kreiser wrote Tempo d...
Fritz Kreisler (1875-1962) was considered one of the greatest violinists of all time. Many of his works are known as 'pastiches,' works composed in the styles of other composers. Kreiser wrote Tempo d...
- String Orchestra
- Score and Parts
- Deborah Baker Monday
- Carl Fischer
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The Zamacueca dance has Andean and Peruvian roots, incorporating indigenous and Spanish elements. Afro-Cuban composer Jose White Lafitte likely picked up this style while living in South America. In h...
The Zamacueca dance has Andean and Peruvian roots, incorporating indigenous and Spanish elements. Afro-Cuban composer Jose White Lafitte likely picked up this style while living in South America. In h...
- String Orchestra
- Score and Parts
- Robert Debbaut
- Carl Fischer
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- String Orchestra
- Score
- Robert Debbaut
- Carl Fischer
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Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...
Muffat, pupil of Lully and Corelli, composed his concerto 'Victoria Maesta' ('Sad Victory') in 1689 as organist and chamber musician in the court of the archbishop of Salzburg. The title refers to the...
- String Orchestra
- Score
- Schott Musik
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- String Orchestra
- Score
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Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester
Stimmensatz - Oboe I/II, Horn I/II, 4 Violinen I/II, 2 Violen, 4 Violoncelli/Kontrabässe - Kammerorchester
- String Orchestra
- Set of Parts
- Schott Musik
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- String Orchestra
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The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
- 2 Flutes and String orchestra
- Additional Parts - Strings
- Schott Musik
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- Violin and String orchestra
- Score
- Schott Musik
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It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.
It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.
- Violin and String orchestra
- Score
- Schott Musik
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It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.
It is elegance and brilliance that characterise this work by the violin master whose French form type takes up the essential music tendencies of that time coming from Mannheim, Paris and Italy.
- Violin and String orchestra
- Set of Parts
- Schott Musik
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- Violin and String orchestra
- Score
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Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...
Eine überraschende Entdeckung für die Cello-Konzertliteratur stellt das vorliegende Werk dar, das in der 2. Hälfte des 18. Jahrhunderts entstanden ist und Einflüsse der Mannheimer Schule zeigt, sowie...
- Cello and Orchestra
- Score
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The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...
The Spiritual Concerto for violin and string orchestra by Helmut W. May has everything that is necessary to become a repertory piece for -young violin soloists: of medium difficulty, rewarding, despit...
- Violin and String orchestra
- Score
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Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...
Boccherini, one of the greatest violoncellists of the 18th century, left numerous concertos for his favourite instrument. In the very first of these works, the personal style of the composer is unmist...
- Cello and Orchestra
- Score
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- Cello and Orchestra
- Score
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Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb
Stimmensatz - 5 V I, 5 V II, 3 Va, 4 Vc/Kb
- Cello and Orchestra
- Set of Parts
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Perhaps the best-known and most played work of Corelli, standard repertoire of each violinist, in an arrangement for string orchestra.
Perhaps the best-known and most played work of Corelli, standard repertoire of each violinist, in an arrangement for string orchestra.
- String Orchestra
- Set of Parts
- Eduard Martini
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- Flute and String orchestra
- Score
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Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music - in the truest sense of the word - consisted of a sequ...
Harald Genzmer's composition Divertimento di danza for string orchestra clearly continues the baroque form of the divertimento. This light music - in the truest sense of the word - consisted of a sequ...
- String Orchestra
- Score
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Partitur = Cembalo
- Violin, Harpsichord and String Orchestra
- Score
- Schott Musik
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- 2 Violins, Cello, String Orchestra and Continuo
- Score
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Stimmensatz - 2 Hörner I/II in F, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi
Stimmensatz - 2 Hörner I/II in F, 4 Violinen I, 4 Violinen II, 2 Violen, 4 Bassi
- 2 Violins, Cello, String Orchestra and Continuo
- Set of Parts
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