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Intermediate Sheet Music for Symphonic Orchestra

Wolfgang Amadeus Mozart
Missa solemnis

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Fagott (2), Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart
Missa solemnis

Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...

Mozart's "Missa in C" K. 337 is similar to the "Coronation Mass" K. 317 in its scoring, occasion and scope: around a year after the "Coronation Mass", in March 1780, the "Missa in C" was also intended...

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Wolfgang Amadeus Mozart
Offertorium

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart
Offertory

Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...

Mozart's Veni Sancte Spiritus KV 47 was composed in Vienna in 1768. The two-part setting of the Pentecost sequence (Come, Holy Spirit) follows the text of the antiphon Ad invocandum Spiritum Sanctum a...

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Wolfgang Amadeus Mozart
Offertorium KV 117 (66a=47b)

Offertorium. Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Offertorium. Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart
Offertory KV 117 - 66a=47b

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

According to recent research, the offertory "Benedictus sit Deus" K. 117 (66a) is identical to the offertory K. 47b, which was believed to be lost. It was intended for the dedication of the orphanage...

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Wolfgang Amadeus Mozart

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Gemischter Chor-SATB, Trompete (2), Clarin-Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Trompete (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart

The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...

The four-movement "Regina coeli" K. 108 (74d), composed in Salzburg in May 1771, is clearly modeled on Neapolitan church music in terms of expression and texture. The mostly homophonic chorus of the t...

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Wolfgang Amadeus Mozart

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Horn (2), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart

The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...

The "Regina coeli" K. 127, composed in Salzburg in May 1772, largely corresponds in expression and formal structure to the first work of the same name, K. 108 (74d), on the same Marian antiphon. In co...

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Wolfgang Amadeus Mozart

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Pauke, Streicher, Orgel - Partitur

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Oboe (2), Trompete (2), Pauke, Streicher, Orgel - Partitur

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Wolfgang Amadeus Mozart

The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...

The "Regina coeli" KV 276 (321b ) was composed in Salzburg after the composer's return from Paris. The occasion, date and autograph are unknown. However, its relationship to the first movement of Vesp...

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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Flöte (2), Oboe (2), Fagott (2), Horn (2), Posaune (3), Streicher, Orgel - Partitur; Urtextausgabe

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Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe. Sopran solo, Alt solo, Tenor solo, Bass solo, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

  • Soloists, Mixed Choir (SATB), Organ and Orchestra
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The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

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Wolfgang Amadeus Mozart
(Solemn Vespers)

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

Sopran solo, Alt solo, Tenor solo, Bass solo, Gemischter Chor-SATB, Fagott, Trompete (2), Posaune (3), Pauke, Streicher, Orgel - Partitur; Urtextausgabe

  • 4 Soloists, Mixed Choir (SATB), Organ and Orchestra
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Wolfgang Amadeus Mozart
Solemn Vespers

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

The importance Mozart attached to his vespers can be seen from the fact that in a letter dated March 12, 1783 he asked his father to send the two works to him in Vienna in order to make them known to...

  • 4 Soloists, Mixed Choir (SATB), Organ and Orchestra
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Wolfgang Amadeus Mozart
Motette

Urtext der Neuen Mozart-Ausgabe unter Berücksichtigung der neuentdeckten Salzburger Fassung. Sopran solo, Oboe (2)/ Flöte, Horn (2), Streicher, Orgel - Partitur; Urtextausgabe

Urtext der Neuen Mozart-Ausgabe unter Berücksichtigung der neuentdeckten Salzburger Fassung. Sopran solo, Oboe (2)/ Flöte, Horn (2), Streicher, Orgel - Partitur; Urtextausgabe

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Wolfgang Amadeus Mozart
Motet

In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...

In Italy today, a Latin sacred solo cantata, which consists of two arias and two recitatives and concludes with a Hallelujah, and which is generally sung by one of the best singers after the Credo, is...

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Johann Sebastian Bach
2nd version with 4 inlay movements of the E flat major version transposed

2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...

2nd version in D major with 4 interludes of the E flat major version (transposed). Urtext of the New Bach Edition. Soprano solo (2), alto solo, tenor solo, bass solo, mixed choir-SSATB, flute (2), obo...

  • 4 Soloists, Mixed Choir (SATB), Orchestra and Continuo
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Order no.: BA5103-DL
Georg Philipp Telemann
Ein Lämmlein geht und trägt die Schuld (1745)

Ein Lämmlein geht und trägt die Schuld. Sopran solo (2), Alt solo, Tenor solo (3), Bass solo (3), Gemischter Chor-SATB-Bfl-A, Flöte (2), Oboe, Oboe d'amore, Fagott, Trompete, Streicher, Basso continuo...

Ein Lämmlein geht und trägt die Schuld. Sopran solo (2), Alt solo, Tenor solo (3), Bass solo (3), Gemischter Chor-SATB-Bfl-A, Flöte (2), Oboe, Oboe d'amore, Fagott, Trompete, Streicher, Basso continuo...

  • Soloists, Mixed Choir (SATB), Orchestra and Continuo
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Wolfgang Amadeus Mozart
Sparrow Fair

The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...

The "Missa in C" KV 220 with the popular nickname "Spatzenmesse" has become a firm fixture in the repertoire of many choirs to this day. As one of the most important works of church music from Mozart'...

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Hector Berlioz
Die Kindheit Christi - Trilogie sacrée

Trilogie sacrée - Geistliche Trilogie (Holoman 130). Urtext der New Berlioz Edition. Sopran solo, Tenor solo (2), Bariton solo, Bass solo (3), Gemischter Chor-SSAATTBB, Flöte 1/ , Flöte 2/ Piccolo, Ob...

Trilogie sacrée - Geistliche Trilogie (Holoman 130). Urtext der New Berlioz Edition. Sopran solo, Tenor solo (2), Bariton solo, Bass solo (3), Gemischter Chor-SSAATTBB, Flöte 1/ , Flöte 2/ Piccolo, Ob...

  • Mixed Choir (SATB) and Orchestra
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Wolfgang Amadeus Mozart
Sparrow' - Arranged for Women's Choir SMezAA

The "Sparrow Mass" in an arrangement for women's choir The "Missa in C" KV 220 has established a firm place in the repertoire of many choirs to this day. The so-called "Sparrow Mass", which owes its n...

The "Sparrow Mass" in an arrangement for women's choir The "Missa in C" KV 220 has established a firm place in the repertoire of many choirs to this day. The so-called "Sparrow Mass", which owes its n...

  • Soloists, Female Choir (SMezAA) and Orchestra
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  • Heribert Breuer
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Order no.: BA5693-DL