Intermediate Sheet Music for Violin
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Nos. 31-60
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The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) In...
The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) In...
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A modern edition of Sevcik's Violin Studies, Part 4 of his School of Violin Technique, edited by Millan Sachania. Eine moderne Ausgabe der Geige-Studien von Sevcik, Teil 4 seiner Schule der Geige-Tech...
A modern edition of Sevcik's Violin Studies, Part 4 of his School of Violin Technique, edited by Millan Sachania. Eine moderne Ausgabe der Geige-Studien von Sevcik, Teil 4 seiner Schule der Geige-Tech...
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The Violin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separ...
The Violin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separ...
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1 Devil's Rachenitsa In a remote village in the Balkans, a daring musician plays a Rachenitsa so beguiling that it conjures up the devil himself. Enchanted, he joins in the dance. The rhythms shatter,...
1 Devil's Rachenitsa In a remote village in the Balkans, a daring musician plays a Rachenitsa so beguiling that it conjures up the devil himself. Enchanted, he joins in the dance. The rhythms shatter,...
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1 Devil's Rachenitsa In a remote village in the Balkans, a daring musician plays a Rachenitsa so beguiling that it conjures up the devil himself. Enchanted, he joins in the dance. The rhythms shatter,...
1 Devil's Rachenitsa In a remote village in the Balkans, a daring musician plays a Rachenitsa so beguiling that it conjures up the devil himself. Enchanted, he joins in the dance. The rhythms shatter,...
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The composers represented in this anthology had very different levels of fame in their day. Some of the works mentioned are now considered lost or obsolete. Their biographies reflect specific characte...
The composers represented in this anthology had very different levels of fame in their day. Some of the works mentioned are now considered lost or obsolete. Their biographies reflect specific characte...
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Camille Saint-Saens' work for Violin and Piano, edited by Henry Schradieck.
Camille Saint-Saens' work for Violin and Piano, edited by Henry Schradieck.
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Composed by Ludwig van Beethoven (1770-1827). Edited by Adolph Brodsky.
Composed by Ludwig van Beethoven (1770-1827). Edited by Adolph Brodsky.
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For violin and piano. Piano reduction by Alojz Srebothjok. Violin part edited by Rok Klopcic.
For violin and piano. Piano reduction by Alojz Srebothjok. Violin part edited by Rok Klopcic.
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For unaccompanied violin.
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Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely rewarding work. The first movement's tempo marking is Agiatato and the music is in turn turbulent and aggressive, passionate a...
Ernest Bloch's Sonata For Violin And Piano is a challenging but extremely rewarding work. The first movement's tempo marking is Agiatato and the music is in turn turbulent and aggressive, passionate a...
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Contents: Naava and Noah.
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This book features the classic repertoire of the masters along with digital access of piano accompaniments for practice use. Contents: Canzonetta (D'Ambrosio) - Air on the G String (Bach) - Menuet fro...
This book features the classic repertoire of the masters along with digital access of piano accompaniments for practice use. Contents: Canzonetta (D'Ambrosio) - Air on the G String (Bach) - Menuet fro...
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Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As...
Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As...
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Hans Winterberg has only recently been rediscovered as one of the most important representatives of the Czech avant-garde of the first half of the 20th century. Performed but not published during his...
Hans Winterberg has only recently been rediscovered as one of the most important representatives of the Czech avant-garde of the first half of the 20th century. Performed but not published during his...
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Hans Winterberg's extraordinary life was written in two chapters, one Czech and one German, split right down the middle by the experience of the Shoah, which Winterberg, unlike his colleagues Ullmann,...
Hans Winterberg's extraordinary life was written in two chapters, one Czech and one German, split right down the middle by the experience of the Shoah, which Winterberg, unlike his colleagues Ullmann,...
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Con moto, poco rubato, dolce, leggiero, lontano ... - these terms at the beginning of the score occur in almost all compositions of Silvestrov, not only in those many smaller pieces for various ensemb...
Con moto, poco rubato, dolce, leggiero, lontano ... - these terms at the beginning of the score occur in almost all compositions of Silvestrov, not only in those many smaller pieces for various ensemb...
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Benjamin Britten's Suite, Op. 6, for Violin and Piano was composed during 1934-35. The first performance of the complete work was given on 13th March, 1936, as part of a BBC broadcast, by Antonio Bros...
Benjamin Britten's Suite, Op. 6, for Violin and Piano was composed during 1934-35. The first performance of the complete work was given on 13th March, 1936, as part of a BBC broadcast, by Antonio Bros...
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For performance in the 1st and 3rd positions only.
For performance in the 1st and 3rd positions only.
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Concerto in D is a student/teaching concerto by Friedrich Seitz, which works on the use of the 3rd and 5th positions.
Concerto in D is a student/teaching concerto by Friedrich Seitz, which works on the use of the 3rd and 5th positions.
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