Intermediate Sheet Music for Women's Choir

This extraordinary work by renowned composer Kurt Bestor has established itself as one of the truly remarkable additions to choral repertoire in the '90s. It has been performed by many of the finest c...

The classic Vincent Youman song has delighted audiences for decades and has been recorded by artists of every genre. Kirby Shaw has added his superior arranging talent to provide us with a truly wonde...

The words for this piece were taken from two French poems: LHeure du Berger, by Paul Verlaine, and Le Lac by the ultra-Romantic Alphonse de Lamartine. It was important for me to think of the age gap b...

James Erb's classic eight-part (SSAATTBB) arrangement of the American folk song 'Shenandoah' has taken its rightful place in our contemporary choral literature. Now James gives us a wonderful, richly...

Peter Aston was an English composer and was best known for his choral works. This piece, Three Shakespeare Songs, was written in 1965 and is for Soprano Solo and SA chorus (unaccompanied).

Jeep / ed. Harris

Sixteenth-century composer Lodovico Viadana created this wonderful work that is now a choral performance classic, performed regularly by choirs throughout the world. Earlene presents this new setting...

Nirvana For (SSAA) was expertly composed by Michael Bojesen for male a capella.

This trio of golden Gershwin favorites is a perfect feature for the women. Teena's expertise with standards is obvious in the quality of this arrangement. Use this one for concert, festival or show. M...

I Never Saw a Moor (Nach einem Text von Emily Dickinson): Die Komposition bringt das unerschütterliche Vertrauen auf Gott zum Ausdruck und damit die zentrale Aussage des Gedichts von Emily Dickinson....

I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...

Frauenchor (SSA) - tschechisch - deutsch

Text: Liturgie Musik: Juan de Arratia (*um 1550)

Matushitas Vertonung des Pfingst-Hymnus ist ein Dialog zwischen Klavier und Frauenchor: während der Frauenchor seine Melodien aus dem gregorianischen Hymnus entwickelt, kontrapunktiert die Klavierstim...

In dem reichhaltigen Schaffen des durch sein "Te Deum" bekannten französischen Komponisten Marc-Antoine Charpentier nehmen unter den kleineren kirchenmusikalischen Werken die "Marianischen Antiphonen"...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

A lovely treble chorus setting of this favorite hymn. The addition of the optional violin part creates an added texture and compliments the choral writing. 

Paul Mealor's If Ye Love Me , for upper Voices and Organ. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary...