Intermediate Sheet Music for Women's Choir

The words for this piece were taken from two French poems: LHeure du Berger, by Paul Verlaine, and Le Lac by the ultra-Romantic Alphonse de Lamartine. It was important for me to think of the age gap b...

James Erb's classic eight-part (SSAATTBB) arrangement of the American folk song 'Shenandoah' has taken its rightful place in our contemporary choral literature. Now James gives us a wonderful, richly...

Peter Aston was an English composer and was best known for his choral works. This piece, Three Shakespeare Songs, was written in 1965 and is for Soprano Solo and SA chorus (unaccompanied).

Palestrina / ed. Malin

Jeep / ed. Harris

Nirvana For (SSAA) was expertly composed by Michael Bojesen for male a capella.

This trio of golden Gershwin favorites is a perfect feature for the women. Teena's expertise with standards is obvious in the quality of this arrangement. Use this one for concert, festival or show. M...

I Never Saw a Moor (Nach einem Text von Emily Dickinson): Die Komposition bringt das unerschütterliche Vertrauen auf Gott zum Ausdruck und damit die zentrale Aussage des Gedichts von Emily Dickinson....

I Never Saw a Moor (Based on a text by Emily Dickinson): The composition expresses the unshakeable trust in God and thus the central message of Emily Dickinson's poem. The music describes feelings of...

Frauenchor (SSA) - tschechisch - deutsch

Text: Liturgie Musik: Juan de Arratia (*um 1550)

Matushitas Vertonung des Pfingst-Hymnus ist ein Dialog zwischen Klavier und Frauenchor: während der Frauenchor seine Melodien aus dem gregorianischen Hymnus entwickelt, kontrapunktiert die Klavierstim...

In dem reichhaltigen Schaffen des durch sein "Te Deum" bekannten französischen Komponisten Marc-Antoine Charpentier nehmen unter den kleineren kirchenmusikalischen Werken die "Marianischen Antiphonen"...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

The Ave Maria WoO 34 for three-part women’s choir and organ is Rheinberger’s last completed work. He had initially composed it for a solo voice and organ, but arranged it for three-part female choir j...

A lovely treble chorus setting of this favorite hymn. The addition of the optional violin part creates an added texture and compliments the choral writing. 

Paul Mealor's If Ye Love Me , for upper Voices and Organ. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macauley, the 900th Anniversary of the parish and the 200th Anniversary...

Continuing in the tradition he established with his best-selling FESTIVAL SANCTUS and GLORIA, here Leavitt sets another time-honored Latin text in his own stylistic fashion. Commissioned by the Unifie...

> First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Singing translations in German (by Max Brod) and English (by Bernard Keefe) > Numbers 9 to 11...