Intermediate Sheet Music from Advance Music

Tenor man Dexter Gordon lived from 1923 to 1990. He developed aworldwide fame for his big, gutsy sound, his command of jazz vocabulary,and his ability to inspire audiences.'Tribute to Dexter' takes a...

Up-tempo shuffle. Medium advanced

Playable with or without rhythm section. Completely notated rhythm section parts, including piano voicings and bass lines. Fully notated jazz solos. Compatible with the woodwind edition.

Subtitled A Little Suite For Four, the first movement features a unison melody written in B minor. In the second movement, a leitmotiv with variations and the use of repeated jazz phrases is presented...

A three-movement piece which combines orchestral vocabulary with a variety of groove oriented music such as Latin, jazz, and American folk music. Medium advanced

New Wave is built from musical materials which are similar to many of the extended harmonies and modal structures found in jazz. The first movement is set in a driving 6/8 rhythm with extensive imitat...

Slow jazz-waltz. Beautiful feature for the tenor sax. Medium These arrangements for saxophones and rhythm section, written for the Eastman School of Music's award winning jazz ensemble, Saxology, show...

Bolero with a beautifully flowing melody. MediumThese arrangements for saxophones and rhythm section, written for the Eastman School of Music's award winning jazz ensemble, Saxology, showcase the saxo...

The main soli section features the two altos in a duet against the accompanying three other saxophones. These arrangements for saxophones and rhythm section, written for the Eastman School of Music's...

Slow waltz that features the piano and alto saxophone. The alto solo begins at medium intensity and proceeds to a roaring level in a bluesy section that ends abruptly with a return to the sedate piano...

This contemporary Latin 6/4 is fun for the players as well as the audience - grooves hard! These arrangements for saxophones and rhythm section, written for the Eastman School of Music's award winning...

Quick 2-Beat. Ferdinand LaMenthe Jelly Roll Morton and his Red Hot Peppers recorded Black Bottom Stomp in 1926 with an instrumentation of trumpet, clarinet, trombone, piano, banjo, bass, and drums. Re...

Inspired by John Williams' film score for Catch Me if You Can, this creative original features three contrasting movements that can be performed as a complete work or programmed separately. Each movem...

Inspired by a 1938 Paul Klee painting this is a very fast piece with a great deal of precision and internal swing feel.

New 'cross over' arrangement, as recorded on 'Cafe Paradiso'. Transposed to A minor, a more 'guitar friendly' key. Aside from the introduction, the coda, and some slight rhythmic and phrasing variatio...

This well-crafted adaptation features four of the most acclaimed movements of the Peer Gynt Suite. It is truly great literature for woodwind quintets and celebrates a wide range of moods and styles, f...

A slow introduction, a fast part featuring two contrasting themes, a key change, once again an increase in tempo leading up to an effective close - that's the pattern the composition of many overtures...

Everyone knows it: the initial part of the 'Toccata' of Johann Sebastian Bach's 'Giant Fugue' in D minor. That is the reason why I have decided to attend to the complete work.Furthermore, it proves to...

Each sonata is written in a three movement form (fast-slow-fast), and are equally successful and satisfying when played by any two instruments of matching pitch.Editorial metronome markings, articulat...

One of the most often performed works in the repertoire for oboists. In this edition for saxophone the arranger has included a decorated melodic line for the second movement and provides a good study...

One of the most often performed works in the repertoire for oboists. In this edition for saxophone the arranger has included a decorated melodic line for the second movement and provides a good study...

Transcribed by Trent Kynaston

Transcribed by Trent Kynaston

The composer transcribed Aria from his Suite in A minor, op. 103a for several instruments. So, why not for saxophone?

The composer transcribed Aria from his Suite in A minor, op. 103a for several instruments. So, why not for saxophone?