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Intermediate Sheet Music from Baton Music

Gioacchino Rossini

A Rossini overture is a challenge for any orchestra and a treat for the audience. It is especially the woodwinds that show their best side in this less known but no less splendid overture. (Concert Ba...

A Rossini overture is a challenge for any orchestra and a treat for the audience. It is especially the woodwinds that show their best side in this less known but no less splendid overture. (Concert Ba...

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Gioacchino Rossini

A Rossini overture is a challenge for any orchestra and a treat for the audience. It is especially the woodwinds that show their best side in this less known but no less splendid overture. (Concert Ba...

A Rossini overture is a challenge for any orchestra and a treat for the audience. It is especially the woodwinds that show their best side in this less known but no less splendid overture. (Concert Ba...

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This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

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This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

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This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

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This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

This last symphonic poem of Liszt (1811-1886) consists of three movements played without interruption. Die Wiege, Der Kampf ums Dasein and Zum Grabe: die Wiege des zukünftigen Lebens. This extremely p...

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An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

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An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

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An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

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An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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Order no.: BTM023

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

The work of the Russian composer Anatol Liadov (1855-1914) is characterized by bizarre humour, originality, precision and imagination. All these qualities are expressed in the 'Eight Russian Folk Song...

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Felix Mendelssohn Bartholdy

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Felix Mendelssohn Bartholdy

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Felix Mendelssohn Bartholdy

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Felix Mendelssohn Bartholdy

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

The first of two works that Mendelssohn composed for 2 clarinets and orchestra. The piece consists of 3 movements (Allegro con fuoco, Andante and Presto); the transparent orchestral accompaniment allo...

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Johann Strauss (Sohn)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

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Order no.: BTM032-DL
Johann Strauss (Sohn)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. The Csardas, sung by Rosalinde demands great virtuosity and gypsy fee...

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Johann Strauss (Sohn)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

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Order no.: BTM033-DL
Johann Strauss (Sohn)

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

Beside his 150 waltzes Johann Strauss composed several operettas of which 'Die Fledermaus' his best contribution to this genre is. Originally, the Csardas was planned as an orchestral interlude played...

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Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

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Order no.: BTM036
Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

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Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

Johann Sebastian Bach (1685-1750) composed the Fugue in E-Flat Major, and its companion Prelude, as the beginning and ending works of the third part of the 'Clavierübungen' around 1739-1740.This colle...

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Order no.: BTM036SC