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Intermediate Sheet Music from Baton Music

Richard Strauss

In 1932, Richard Strauss was approached by the International Olympic Committee (IOC) to compose an anthem for the 1936 Summer Olympics to be held in Berlin. Early in 1933, Strauss agreed to compose an...

In 1932, Richard Strauss was approached by the International Olympic Committee (IOC) to compose an anthem for the 1936 Summer Olympics to be held in Berlin. Early in 1933, Strauss agreed to compose an...

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Richard Strauss

In 1932, Richard Strauss was approached by the International Olympic Committee (IOC) to compose an anthem for the 1936 Summer Olympics to be held in Berlin. Early in 1933, Strauss agreed to compose an...

In 1932, Richard Strauss was approached by the International Olympic Committee (IOC) to compose an anthem for the 1936 Summer Olympics to be held in Berlin. Early in 1933, Strauss agreed to compose an...

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Richard Strauss

In 1932, Richard Strauss was approached by the International Olympic Committee (IOC) to compose an anthem for the 1936 Summer Olympics to be held in Berlin. Early in 1933, Strauss agreed to compose an...

In 1932, Richard Strauss was approached by the International Olympic Committee (IOC) to compose an anthem for the 1936 Summer Olympics to be held in Berlin. Early in 1933, Strauss agreed to compose an...

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Arrigo Boito
from the Opera Mefistofele

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

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Arrigo Boito
from the Opera Mefistofele

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

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Arrigo Boito
from the Opera Mefistofele

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

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Arrigo Boito
from the Opera Mefistofele

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

Mefistofele' is an opera in a prologue and five acts, later reduced to four acts and an epilogue. It's the only completed opera with music by the Italian composer-librettist Arrigo Boito. The opera, w...

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Giuseppe Verdi
Quartetto From Opera Rigoletto

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

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Order no.: BTM132
Giuseppe Verdi
Quartetto From Opera Rigoletto

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

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Giuseppe Verdi
Quartetto From Opera Rigoletto

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

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Giuseppe Verdi
Quartetto From Opera Rigoletto

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

Giuseppe Giuseppe Verdi composed his opera Rigoletto in 1851 and together with La Traviata (1853) and Il Trovatore (1853) it belongs to the top of his middle period of composing. The quartet Un di se...

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Dmitri Schostakowitsch

Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...

Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...

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  • Christiaan Janssen
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Order no.: BTM134-DL
Dmitri Schostakowitsch

Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...

Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...

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Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

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Order no.: BTM139

Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

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Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

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Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

Urlicht belongs to Mahler's Wunderhornlieder. The song is also used in in his second symphony called 'Auferstehung'. The text of the song deals about the great pain and despair that mankind is living...

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La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

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Order no.: BTM141

La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

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La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

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La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

La Traviata tells the story of the young and beautiful courtesan Violetta who falls in love with Alfredo, an ordinary and poor young man. She leaves her luxurious live for him and finally offers her l...

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Hector Berlioz
from The Opera La Damnation de Faust

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

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Hector Berlioz
from The Opera La Damnation de Faust

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

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The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

The German composer Johannes Brahms (1833-1897) started working on his German Requiem before reaching the age of 30, and by the time he was 33 he had completed it in its essentials - a work whose char...

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  • Martin Baumgartner
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Order no.: BTM143