Intermediate Sheet Music from Baton Music
George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
- Concert Band (Vocal Solo (Medium Voice))
- Score
- Roger Niese
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George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
George Gershwin's Opera Porgy and Bess contains many songs that have become popular in their own right, becoming standards in jazz and blues in addition to their original operatic setting. One of thos...
- Concert Band (Vocal Solo (Medium Voice))
- Score Download
- Roger Niese
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Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
- Concert Band (Vocal Solo (High Voice))
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- Christiaan Janssen
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Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
- Concert Band (Vocal Solo (High Voice))
- Score and Parts Download
- Christiaan Janssen
- Baton Music
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Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
- Concert Band (Vocal Solo (High Voice))
- Score
- Christiaan Janssen
- Baton Music
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ships within 1-2 weeks
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Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
Li¨ sings her aria Tu che di gel sei cinta near the end of Puccini's opera Turandot. She tells Turandot that even she will learn what love is. (Soprano and Concert Band)
- Concert Band (Vocal Solo (High Voice))
- Score Download
- Christiaan Janssen
- Baton Music
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immediately available
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
- Concert Band
- Score and Parts
- Marc Koninkx
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
- Concert Band
- Score and Parts Download
- Marc Koninkx
- Baton Music
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immediately available
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
- Concert Band
- Score
- Marc Koninkx
- Baton Music
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ships within 1-2 weeks
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The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
The Concerto for Bassoon in B flat, KV 191 is the earliest surviving wind concerto by Wolfgang Amadeus Mozart. It seems unadventurous and conventional, but we must remember Mozart was attempting to wr...
- Concert Band
- Score Download
- Marc Koninkx
- Baton Music
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immediately available
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When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
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- Marc Koninkx
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When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
When Rossini's Opera Matilde di Shabran was premiered in Rome in 1821, it was billed as a 'melodrama giocoso', somewhere between an Opera Buffa and an Opera Seria in character.In 1822 it was given in...
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- Marc Koninkx
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This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
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- Marc Koninkx
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This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
This Tsar Boris was the same Boris Godunov who was celebrated by Pushkin and immortalized by Mussorgsky, and Kalinnikov's (1866-1901) resplendent piece is aptly endowed with Tsarist pomp and circumsta...
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- Marc Koninkx
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Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
- Concert Band (Vocal Solo (Medium Voice))
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- Anton Haeck
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Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
- Concert Band (Vocal Solo (Medium Voice))
- Score and Parts Download
- Anton Haeck
- Baton Music
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immediately available
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Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
- Concert Band (Vocal Solo (Medium Voice))
- Score
- Anton Haeck
- Baton Music
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ships within 1-2 weeks
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Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
Jago's Credo from Giuseppe Verdi's Opera Otello, is sung at the beginning of the second act: a venomous expression of evil and, so to speak, of negative belief. He sings his creed: 'I believe in a cru...
- Concert Band (Vocal Solo (Medium Voice))
- Score Download
- Anton Haeck
- Baton Music
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immediately available
Download immediately after ordering - Instant download
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
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- Marco Tamanini
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Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
- Concert Band
- Score and Parts Download
- Marco Tamanini
- Baton Music
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immediately available
Download immediately after ordering - Instant download
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
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- Marco Tamanini
- Baton Music
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ships within 1-2 weeks
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Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
Vincenzo Bellini (1801-1835) was one of the three great composers of the belcanto-era that dominated the Italian opera scene in the first half of the 19th century. The other masters of 'beautiful sing...
- Concert Band
- Score Download
- Marco Tamanini
- Baton Music
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immediately available
Download immediately after ordering - Instant download
In 1883, a singer named Johanna Richter made a guest appearance in the court theater at Cassel, Germany, where Gustav Mahler was the conductor. As a result of this engagement she entered into a regula...
In 1883, a singer named Johanna Richter made a guest appearance in the court theater at Cassel, Germany, where Gustav Mahler was the conductor. As a result of this engagement she entered into a regula...
- Concert Band (Vocal Solo (Medium Voice))
- Score and Parts
- Douglas McLain
- Baton Music
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ships within 1-2 weeks
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In 1883, a singer named Johanna Richter made a guest appearance in the court theater at Cassel, Germany, where Gustav Mahler was the conductor. As a result of this engagement she entered into a regula...
In 1883, a singer named Johanna Richter made a guest appearance in the court theater at Cassel, Germany, where Gustav Mahler was the conductor. As a result of this engagement she entered into a regula...
- Concert Band (Vocal Solo (Medium Voice))
- Score and Parts Download
- Douglas McLain
- Baton Music
-
-
immediately available
Download immediately after ordering - Instant download
In 1883, a singer named Johanna Richter made a guest appearance in the court theater at Cassel, Germany, where Gustav Mahler was the conductor. As a result of this engagement she entered into a regula...
In 1883, a singer named Johanna Richter made a guest appearance in the court theater at Cassel, Germany, where Gustav Mahler was the conductor. As a result of this engagement she entered into a regula...
- Concert Band (Vocal Solo (Medium Voice))
- Score
- Douglas McLain
- Baton Music
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ships within 1-2 weeks
- Also available for download!