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Intermediate Sheet Music from Baton Music

George Gershwin

I Got Rhythm is a song composed by George George Gershwin published in 1930, which became a widely-known jazz standard. The song was introduced by Ethel Merman in the musical Girl Crazy. In 1933, Geor...

I Got Rhythm is a song composed by George George Gershwin published in 1930, which became a widely-known jazz standard. The song was introduced by Ethel Merman in the musical Girl Crazy. In 1933, Geor...

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Order no.: BTM300SC-DL
Antonio Pasculli

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

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  • Jos Simons
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Antonio Pasculli

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

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  • Jos Simons
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Antonio Pasculli, Jos Simons

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

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Antonio Pasculli, Jos Simons

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

Antonino Pasculli (1842-1924), perhaps the greatest oboe virtuoso of historical memory was called the Paganini of the Oboe. Like Paganini, not finding compositions which could fully exploit his extrao...

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Soprano and Concert Band.

Soprano and Concert Band.

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  • Marco Tamanini
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Johann Strauss (Sohn)

Soprano and Concert Band.

Soprano and Concert Band.

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  • Marco Tamanini
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Johann Strauss (Sohn)

Frühlingsstimmen ("Voices of Spring") op. 410 is a waltz by Johann Strauss that was written in 1882. The work was intended as a waltz with a solo voice accompaniment (as opposed to a choral waltz) of...

Frühlingsstimmen ("Voices of Spring") op. 410 is a waltz by Johann Strauss that was written in 1882. The work was intended as a waltz with a solo voice accompaniment (as opposed to a choral waltz) of...

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Johann Strauss (Sohn)

Frühlingsstimmen ("Voices of Spring") op. 410 is a waltz by Johann Strauss that was written in 1882. The work was intended as a waltz with a solo voice accompaniment (as opposed to a choral waltz) of...

Frühlingsstimmen ("Voices of Spring") op. 410 is a waltz by Johann Strauss that was written in 1882. The work was intended as a waltz with a solo voice accompaniment (as opposed to a choral waltz) of...

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Dmitri Schostakowitsch

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

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  • Christiaan Janssen
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Order no.: BTM310
Dmitri Schostakowitsch

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

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  • Christiaan Janssen
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229,00 €
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Order no.: BTM310-DL
Dmitri Schostakowitsch

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

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Order no.: BTM310SC
Dmitri Schostakowitsch

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

Most of the music which Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger Christia...

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  • Christiaan Janssen
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Gioacchino Rossini

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

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  • Gerhart Drijvers
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156,95 €
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Order no.: BTM326-DL
Gioacchino Rossini

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

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Gioacchino Rossini

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

Il Barbiere di Siviglia (1816) is one of the greatest of all comic operas.Based on an excellent play by Beaumarchais, The Barber of Seville delights audiences with its keenly sketched characters, melo...

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  • Gerhart Drijvers
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Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

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  • Douglas McLain
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Order no.: BTM331
Louis Moreau-Gottschalk

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

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  • Douglas McLain
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187,95 €
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Order no.: BTM331-DL
Louis Moreau Gottschalk

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

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Louis Moreau Gottschalk

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

Louis Moreau Gottschalk was born in New Orleans in 1829. His father was of German-Jewish decent and his Catholic mother was a Creole from Haiti. His piano lessons commenced at the age of five and were...

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  • Douglas McLain
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Order no.: BTM331SC-DL
Johannes Brahms

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

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Order no.: BTM338
Johannes Brahms

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

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  • Douglas McLain
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Order no.: BTM338-DL
Johannes Brahms

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

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  • Douglas McLain
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Order no.: BTM338SC
Johannes Brahms

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

Johannes Brahms composed the Alt-Rhapsodie in September of 1869 as a wedding gift to the daughter of his close friend and confidant, Clara Schumann. The Alt-Rhapsodie is set to several verses of a poe...

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  • Douglas McLain
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Order no.: BTM338SC-DL

In its original form, the Fete Polonaise from the Opera Le Roi Malgre, is scored for chorus and orchestra. Ever the artistic pragmatist, Chabrier turned the dance sequence into a glittering orchestral...

In its original form, the Fete Polonaise from the Opera Le Roi Malgre, is scored for chorus and orchestra. Ever the artistic pragmatist, Chabrier turned the dance sequence into a glittering orchestral...

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  • Douglas McLain
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Order no.: BTM339