Intermediate Sheet Music from Baton Music
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...
La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...
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Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...
Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...
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- Roger Niese
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Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...
Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...
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- Roger Niese
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Sigurd Jorsalfar is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjoernstjerne Bjoernson. The Homage March is one of the...
Sigurd Jorsalfar is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjoernstjerne Bjoernson. The Homage March is one of the...
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- Marc Koninkx
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'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
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- Gregor Kovacic
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'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
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- Gregor Kovacic
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'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
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- Gregor Kovacic
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'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...
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- Gregor Kovacic
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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- Jos van de Braak
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...
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Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...
Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...
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- Christiaan Janssen
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...
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- Jos van de Braak
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La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
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- Douglas McLain
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La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
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- Douglas McLain
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La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
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- Douglas McLain
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La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...
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- Douglas McLain
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In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...
In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...
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- Bruno Peterschmitt
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In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...
In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...
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- Bruno Peterschmitt
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