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Intermediate Sheet Music from Baton Music

Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

La Damnation de Faust was in the beginning a kind of oratorio, although Hector Hector Berlioz (1803-1869) called it himself a concert-opera. To place the Hungarian March in the piece, Hector Berlioz s...

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Order no.: BTM142
Johan S. Halvorsen
March

Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...

Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...

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  • Roger Niese
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Johan S. Halvorsen
March

Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...

Entry March of the Boyars, composed in 1895 by the Norwegian composer Johan Halvorsen, has been a popular orchestral favorite ever since and one of the best-known examples of Scandinavian orchestral m...

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Edvard Grieg
from 'Sigurd Jorsalfar'

Sigurd Jorsalfar is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjoernstjerne Bjoernson. The Homage March is one of the...

Sigurd Jorsalfar is an orchestral suite by Edvard Grieg, celebrating King Sigurd I of Norway compiled in 1872 from incidental music to a play by Bjoernstjerne Bjoernson. The Homage March is one of the...

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  • Marc Koninkx
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Order no.: BTM690
Giacomo Puccini
Parte Sinfonica (Score + parts)

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

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Giacomo Puccini
Parte Sinfonica

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

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Giacomo Puccini
Parte Sinfonica (Score)

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

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Giacomo Puccini
Parte Sinfonica

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

'Le Villi' ('The Willis' or 'The Fairies') is an opera-ballet in two acts and Puccini's first stage work. The three orchestral movements - parte sinfonica - from the opera, 'Preludio', 'L'Abbandano' a...

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Lied und Csárdás from the Operetta Zigeunerliebe

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

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Lied und Csárdás from the Operetta Zigeunerliebe

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta Die lustige Witwe, (The merry widow), in 1905 made him clear that he had to give his talen...

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Dmitri Schostakowitsch

Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...

Most of the music which Dmitri Shostakovich used for his Ballet Suites was composed for the silent films in the early 30ies or was re-used from early opera's and ballets. The Dutch composer/arranger C...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Richard Strauss
op. 27 No. 2

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

Cäcilie, Op. 27 No. 2, is the second in a set of four songs composed by Richard Strauss in 1894. The words are from a love poem 'Cäcilie' written by Heinrich Hart, a German dramatic critic and journal...

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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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  • Douglas McLain
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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Order no.: BTM1342SC
Gioacchino Rossini
Tarantella

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

La danza is a patter song by Gioacchino Rossini, in 'Tarantella napoletana' time. It's the eighth song of the collection 'Les soirées musicales' which he composed in the years 1830-1835. 'La danza' be...

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Emanuel Alexis Chabrier
for Horn and Orchestra

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

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  • Bruno Peterschmitt
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Order no.: BTM1251-DL
Emanuel Alexis Chabrier
for Horn and Orchestra

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

In 1874 Chabrier composed the 'Larghetto for Horn and Orchestra' but it was only discovered after his death. It is often referred to as the French Horn equivalent of an operatic aria. Chabrier employs...

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