Intermediate Sheet Music from Baton Music
Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
Giacomo Puccini's 'Suor Angelica' (Sister Angelica) is one of the three one-act opera's which belong to the triptych 'Il Trittico' which is an example of the verismo-opera, a naturalistic movement in...
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Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
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- Jos van de Braak
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Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
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- Jos van de Braak
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Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
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- Jos van de Braak
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Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
Jocelyn is a four-act opera by Benjamin Godard and is best remembered for Godard's most enduring composition, the tender berceuse (lullaby) for tenor 'Oh! ne t'éveille pas encore' commonly known in En...
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- Jos van de Braak
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Faust is based on the novel Faust und Margarethe by Johann Wolfgang von Goethe and the libretto was conceived by Jules Barbier and Michel Carre.It's the story of the old Dr. Faust who once again wants...
Faust is based on the novel Faust und Margarethe by Johann Wolfgang von Goethe and the libretto was conceived by Jules Barbier and Michel Carre.It's the story of the old Dr. Faust who once again wants...
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- Anton Haeck
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Faust is based on the novel Faust und Margarethe by Johann Wolfgang von Goethe and the libretto was conceived by Jules Barbier and Michel Carre.It's the story of the old Dr. Faust who once again wants...
Faust is based on the novel Faust und Margarethe by Johann Wolfgang von Goethe and the libretto was conceived by Jules Barbier and Michel Carre.It's the story of the old Dr. Faust who once again wants...
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- Anton Haeck
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Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
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- Joachim Buch
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Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
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- Joachim Buch
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Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
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- Joachim Buch
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Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
Otto Nicolai's last opera Die lustigen Weiber von Windsor is the only one left and also his only one in German language. It is still one of the most performed opera's in Germany opera houses. The libr...
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- Joachim Buch
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Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
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Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
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- Jos van de Braak
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Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
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- Jos van de Braak
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Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
Der Karneval in Paris, opus 100, is a gallop composed by Johann Strauss Sr. in 1838. Dutch arranger Jos van de Braak transcribed this galop for Symphonic Band.
- Concert Band
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- Jos van de Braak
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A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
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- Jos van de Braak
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A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
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- Jos van de Braak
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A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
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- Jos van de Braak
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ships within 1-2 weeks
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A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
A 'Cachucha' is a Spanish folk dance originating in Andalusia, characterized by the use of castanets and popularized by ballerina Fanny Elssler in the 19th century. In 1837 Johann Strauss sr. composed...
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- Jos van de Braak
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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- Jos van de Braak
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Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
Die Zauberflöte isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indivi...
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- Score and Parts Download
- Jos van de Braak
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Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
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- Roger Niese
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Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
- Concert Band (Vocal Solo (High Voice))
- Score and Parts Download
- Roger Niese
- Baton Music
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available | Delivered by e-mail by the publisher
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Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
- Concert Band (Vocal Solo (High Voice))
- Score
- Roger Niese
- Baton Music
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ships within 1-2 weeks
- Also available for download!
Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
Un dì, felice, eterea' is a duet from the first act of Giuseppe Verdi's Opera 'La Traviata'. It is sung by the male and female protagonists of the opera, Alfredo (a tenor) and Violetta (a soprano). Th...
- Concert Band (Vocal Solo (High Voice))
- Score Download
- Roger Niese
- Baton Music
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available | Delivered by e-mail by the publisher
- Download