Intermediate Sheet Music from Bote & Bock

Maria Herz – only in recent years has her name begun to be heard in the music world, so thoroughly had her work been forgotten due to a complicated fate in exile. Born in Cologne in 1878 and raised th...

Almost all of Ursula Mamlok's works created before the Wind Quintet (1956) have remained unpublished until now. Many of them were performed for the first time in the final years of the composer who di...

Die Idee den Quintenzirkel zu überbrücken und aus der Verbindung der voneinander weit entfernten Tonarten C-Dur und Fis-Dur eine neue musikalische Klanglichkeit zu formen, zieht sich mannigfaltig durc...

Die Suite des Komponisten Norbert von Hannenheim ist geprägt durch tänzerischen Gestus aller vier Sätze. Sie fokussiert die aufrichtige Kraft der Viola in ihrer tiefsten Lage, um in prägnanter Knapphe...

This arrangement was written in Offenbach's anniversary year 2019 for the highly acclaimed CD (Sony) of the young star soloist Raphaela Gromes with chamber music for cello, the instrument the composer...

Confluences is a three-movement work for clarinet, violin, violoncello and piano which was composed for the New York Continuum Ensemble in 2001. In the short first movement, a two-note motif wanders t...

To mark the 100th birthday of Ursula Mamlok (1923 - 2016), Boosey & Hawkes Bote & Bock, in collaboration with the Dwight and Ursula Mamlok Foundation, is publishing a series of works from the composer...

To mark the 100th birthday of Ursula Mamlok (1923 - 2016), Boosey & Hawkes Bote & Bock, in collaboration with the Dwight and Ursula Mamlok Foundation, is publishing a series of works from the composer...

The rhapsodic, almost ten-minute piece draws its charm from changing metres and various dramatic climaxes within an overall darkly overcast mood. The 'ballad' of the title develops, after a melancholy...

The rhapsodic piece of almost ten minutes draws its charm from changing metres and various dramatic climaxes within an overall dark, overcast mood. The Ballade (ballad) of the title develops, after a...

The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project 'Modern Times', three years after the orchestra had caused a sensation with 'Rhythm Is It!'. Purple Silenc...

Durch seine lebendige Streitlust bereichert der Disput der beiden (Gegen-)Spieler Horn und Klavier das Repertoire dieser Duo-Besetzung. In der musikalischen Auseinandersetzung schrecken die Kontrahent...

The 10-minute piece was written in 2006 for the Berlin Philharmonic's education/dance project 'Modern Times', three years after the orchestra had caused a sensation with 'Rhythm Is It!'. Purple Silenc...

The Shoa never was a theme in the works of Ursula Mamlok - with the exception of Rückblick for saxophone and piano which she wrote in 2002 on commission of the Temple University in memory of Kristalln...

Hopes and worries in the face of a social situation in Germany that the composer found disturbing find expression in this character piece in the Schumann tradition. Past and present enter into dialogu...

'Aphorisms I' was composed in 2009 and premiered by its dedicatee, Kolya Lessing, in Lucerne in February 2010. The five short movements develop, for the solo violin, into a small instrumental cosmos o...

Being Russian born I have a strong connection to the ballet scores of Tchaikovsky, Prokofiev and Stravinsky, and as a result in the Wild Swans, more than in any other work of mine, I allowed myself th...

Dieses Album versammelt eine Reihe kurzer Stücke der Komponistin in Fassungen für Violine und Klavier. Unter ihnen Hits wie Russian Rag, Slicked Back Tango, Naive Waltz oder Peggy's Minute Rag, oft en...

Maria Herz – only in recent years has her name begun to be heard in the music world, so thoroughly had her work been forgotten due to a complicated fate in exile. Born in Cologne in 1878 and raised th...

The title is a combination of the terms saxophone and collage, which already gives a hint to the essential design of the piece: Several different compositional aspects such as sound layers, melodic se...

The title is a combination of the terms saxophone and collage, which already gives a hint to the essential design of the piece: Several different compositional aspects such as sound layers, melodic se...

This four-movement piece was designed as a double quartet and, as the title implies, is like a little symphony. The varied sound is the result of harmonics, glissandos, pizzicatos, fingerboard and ins...

Nach Verlust seiner ersten beiden Streichquartette während des 2. Weltkrieges, war Laks 3. Streichquartett das erste Werk, das er nach der Befreiung aus Auschwitz 1945 komponierte. Sein Untertitel ‚su...